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                  <text>Passaic River Artifacts</text>
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                <text>DUPRS_0045 - P. &amp; J. Arnold Ink bottle produced by J. Bourne &amp; Son potters&#13;
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                <text>Ceramic ink bottle </text>
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                <text>The bottle is ceramic which appears wheel thrown due to streak marks and cut base. Brown outside probably from a sort of glaze. Base is 9 cm in diameter, equal to about 3.5 inches. Stamp-marked with the following label: Vitreous Stone Bottle; J Bourne &amp; Son,; (indiscernible); Denby Pottery, Near Derby; P &amp; J. Arnold; London. Unfortunately because the top of the bottle is missing, exactly what this bottle once contained cannot be determined. However, most likely the bottle held ink because P &amp; J. Arnolds was an ink producing company. Based on the ‘Son’ on the back stamp this stone bottle dates post 1841. It was hand thrown on a wheel and glazed with common salt producing the brown glazed finish.  &#13;
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                <text>Vitreous Stone Bottle, held the ink produced by P. and J. Arnold&#13;
Manufactured post 1841 due to labels inclusion of &amp; Son; between 1860-1890.&#13;
In Denby near Derbyshire England. Exported by P. &amp; J. Arnold of London&#13;
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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            <name>Date</name>
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              <elementText elementTextId="3091">
                <text>Circa 1862. &#13;
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                <text>Aisha Arain</text>
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            <name>Type</name>
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                <text>Stoneware ceramic&#13;
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                <text>   These stone bottles were not high class material, comparable to our contemporary plastic storage containers, they were disposable. The people of the 1800s utilized these stone vessels to store various liquids such as ink, preserves, paste, beer, medicine, varnish, and so on. Compared to glass at the time, stoneware products were economically practical. The company that produced this bottle was named after Joseph Bourne who officially founded the company in 1809 and it continued to manufacture stone bottles until 1976. Joseph’s father William was a potter as well as who, on the horizon of the Industrial Revolution, foresaw the benefits of leasing a large clay bed near Derby which was then passed onto his son. The modest singular kiln company grew steadily over the years. Joseph Bourne’s pottery in Derbyshire England made large quantities of these bottles. For many years P. &amp; J. Arnold of London used Bourne vessels for his ink products. For many years, P. &amp; J. Arnold of London used bourne vessels for his ink products. These ink products, and Joseph Bourne’s containers were heavily imported to the U.S. by the mid 19th century, which could account for this artifact being found along the Passaic River in New Jersey. If there were factories in this area, records would have to be kept and ink to write them in. Bourne’s bottles were not expensive during this time period, unlike glass, and with their thriving factory during the Industrial Revolution it is doubtless their exports reached the ports of New Jersey and New York (New Amsterdam). &#13;
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                  <text>Passaic River Artifacts</text>
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                <text>DUPRS_0048 - Consolidate Fruit Jar Company Lid&#13;
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                <text>Milk-Glass Jar Insert</text>
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                <text>This is a round, flat, white piece of milk glass with two consecutive rings outside of it with the inscription ‘Consolidated Fruit Jar Company, New York’ around the outermost ring. It is about 3.5 inches in diameter. The center circle has a symbol on it and the writing, rings, and symbol are all raised.&#13;
It is a circle of milky, opal-colored glass, 6.5 mm in diameter. 2 outer concerntric rings surrounding a center circle of 3mm in diameter. Center circle has raised marker’s mark and the outermost circle has ‘Consolidated Fruit Jar Company, New York’ pressed on it. Underside has a number ‘12’ pressed into it and one outer concentric circle of 1mm surrounding inner circle of 5.5mm diameter. It was used to separate the fruit and the metal closures in canned fruit jars to make the fruit more ‘sanitary’. &#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>The Consolidated Fruit Jar Company </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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            <name>Publisher</name>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1871-1908. &#13;
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="3081">
                <text>Aisha Arain</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Glass</text>
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                <text>The Consolidated Fruit Jar Company operated out of New Brunswick, NJ between 1871 and 1908. It was owned by Lewis R. Boyd, who is most famous for the patent of this object which is a white milk-glass insert for zinc screw lids on hand-blown glass jars that was used to keep food from coming in contact with the metal so that it would preserve for longer. During 1871 and 1885 companies used outside contractors to make their lid-liners following a large factory fire. This type of glass lid-liner was patented in 1869 by Louis R. Boyd. Lewis R. Boyd and his company – The Sheet Metal Screw Company – patented a white ‘milk-glass’ insert for zinc screw lids to theoretically lessen the chances that food would come in contact with metal in 1869. Boyd became a partner in the Consolidated Fruit Jar Company in 1871, which was based in New Brunswick, New Jersey. This company contracted out with many other companies to produce their mason jars, a very popular item at the time. They stopped being manufactured around 1885, and the company went out of business in 1908. &#13;
Since the glass lid dates from the late 1800s to the early 1900s, it could mean that this area of the Passaic River was in use at this time, unless the lid drifter downstream from another site, but this in unlikely since the jar top was found buried. Since the lid would have been on some sort of food product, it could indicate that this area was a popular picnic spot of the late 1800s, as it is today, or that this area was lived in and the jar lid was a commonplace item in a home of this time. Since this part of the Passaic River is on the outskirts of New York City, perhaps Madison was a popular weekend spot for New Yorkers during this time period to get out of the city, relax, and picnic. The presence of this object helps us to date possible settlements near the Passaic River and supports the hypothesis of this area being a lower class area. These jars were mass produced and relatively inexpensive. It also implies that instead of a housing barrack for just male workers, that women and children might have lived here. &#13;
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                  <text>Passaic River Artifacts</text>
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                <text>DUPRS_0034 - Lea &amp; Perrins Worcestershire Bottle and Stopper&#13;
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                <text>An American Lea &amp; Perrins Worcestershire Bottle. </text>
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                <text>An American Lea &amp; Perrins Worcestershire Bottle. The initials ‘JDS’ on the bottom of the bottle stand for ‘John Duncan Sons’ – the original importer of Lea &amp; Perrins Worcestershire Sauce, located in New York. If the mold seam continues straight through to the top of the bottle, it was made after 1890. If the mold seam stops just before the finish, the bottle was made prior to 1890.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lea &amp; Perrins Worcestershire Sauce by Salem Glass Works</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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              <elementText elementTextId="3069">
                <text>Circa 1870. </text>
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              <elementText elementTextId="3070">
                <text>Aisha Arain</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Glass</text>
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                <text>The ‘JDS’ bottle for Lea &amp; Perrins Worcestershire Sauce was first made in 1876 by the Salem Glass Works, Salem New Jersey. Prior to that full bottles were imported from England. The lettering on the bottle guaranteed the customer of the original and genuine Worcestershire sauce. Often copied but never duplicated, it was widely imitated in the 19th century.&#13;
In the beginning, John Duncan had a license for importing Lea &amp; Perrins Worcestershire sauce into America. He had his own bottles made in England, filled there, and then shipped to America. Later Duncan obtained a new license, and began bottling L&amp;P Worcestershire in America. The first bottles manufactured in America were made in 1876 by the Salem Glass Works in Salem, NJ. Numerals shown on the bottom of the bottle are not part of the trademark, but the numbers are the serial number of the mold that made the bottle. The number will differ because different molds were use. The green color of the bottle is a result of an impurity (iron) in the sand that was used to make the glass. The L&amp;P bottle is a reflection of life at the site. The site may have been a community or a place where people lived. &#13;
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                <text>DUPRS_0047 - Alderney Dairy Co. Bottle Base</text>
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                <text>A broken glass shard of irregular shape. </text>
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                <text>The artifact is in one piece, a broken glass shard of irregular shape. It was plainly once circular, and formed the end of a cylindrical shape. Most likely this is the bottom of a bottle. It is marked with an ‘F’ in the center and along the edges ‘T.F’M’G Co., ‘PAT’, and ‘9’0 are clearly seen. The rest of the information they formerly conveyed, as well as their context, has been lost with other bottle pieces.&#13;
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                <text>Alderney Dairy Company, </text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>‘T.F’M’G Co.’ is a marking typical of the bottoms of milk bottles produced by the Alderney Dairy Company, once located at 26 Bridge Street, Newark. Both Alderney and T.F’M’G have long ago passed into obscurity; the exact date was undeterminable, however it is likely that the Alderney company based in the greater Newark area closed down some time prior to 1938. Very little information seems to remain of the old Alderney company outside of old photographs of their milk bottling facilities. The business may have shut down due to the Great Depression or just the flow of business. The bottle shards would seem typical of a bottle in the style of the complete bottle produced by Alderney Dairy, Newark in 1889. &#13;
The bottle shards were found in an area that has long been used as a garbage dump (the designation of the site area as a park hasn’t stopped this practice completely; plenty of modern trash may be found next to items which may be over a hundred years old), so I believe the item’s significance is one of an everyday object, something quite common in the time of its manufacture and use. The bottle must have been considered disposable enough to discard at some point; either intentionally as a whole bottle once used, or as a consequence of breaking the bottle in some other way. If it were more precious, repair could have been attempted.&#13;
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&#13;
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                <text>A sherd of white ware pottery with a small portion of the foot visible on the underside. There is also a small imperfection on the underside of the artifact on the outside lip. In the middle of the underside GREENWOOD CHINA is stamped and underneath that is Trenton, N.J. And above all the writing is a small squiggle. All marks on the piece appear in a light green color. </text>
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                <text>Greenwood pottery Co. was established in 1862 by William Tams, an experienced potter from Staffordshire, England, who went into business with several Trenton investors. It was one of the largest producers of household and hotel china and remained in existence for more than 70 years. For a short period of time in the 1880s, it produced high quality art porcelain known as Ne Plus Ultra. This artifact, however, is not porcelain and therefore not the high quality ware referred to in the 18800s. This was most likely a plate based on the size and shape of the artifact which according to http://pages.tias.com/7401/PictPage/1920693965.html is 1-1/2” L; 5-7/8” when whole. &#13;
This piece appears to be fairly widely produced and distributed due to its being found in Wyoming while being manufactured in New Jersey. It seems as if the ceramic may have been cheap and the picture above was listed for sale online for sale at $3.75. It is unclear whether the company still exists or went out of business therefore all that is known is that the piece originated post 1862. This artifact found on the east side of the survey area seems to further indicate a possible home or hotel based on the fact that the same type of pottery was found at a historic hotel in Wyoming. It is interesting to note that a selective collection at a hotel historic site in Yellowstone National Park at the Yellowstone Lake Hotel found 22 pieces of chinaware identified as being Greenwood China and Co. from Trenton N.J. The army was at one point stationed in the park and supposedly added a mark to their pottery denoting that it was ‘quartermasters corp.’; although this was only until 1916. &#13;
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                <text>DUPRS_0064 Misc. Suspender and Garter Pieces</text>
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-13 metal suspender buckles and adjusters in various sizes, shapes, and designs&#13;
-22 metal pieces composed of 2 connected pieces featuring a hole in the center on the end&#13;
-4 small rings pieces that fit through the above pieces&#13;
-5 metal thin pieces with an opening on the end (supposed garter hooks/clips)</text>
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                <text>Ava Valentino</text>
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                <text>http://content.time.com/time/nation/article/0,8599,2037331,00.html&#13;
http://diggingi95.com/features/high-priority-features-section-8/section-8-feature-5-personal-accessories/&#13;
https://vintagedancer.com/victorian/victorian-mens-fashion-history/&#13;
http://www.kristinholt.com/archives/5027</text>
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                <text>The suspender pieces featured in this collection include a mix of buckles and adjuster pieces, along with other unidentifiable but related metal pieces that could have belonged to other areas on the suspender strap or garter belt. &#13;
&#13;
An integral piece of men’s fashion during the 18th, 19th, and early 20th century was suspenders, or known as “braces” in Britain. Suspenders were composed of several diverse, metal pieces that fastened, tightened, and loosened the strap pieces according to each person’s desired fit and length. They were essential to keeping undergarments and outer garments in place, and served as a fashionable and decorative accessory. In fact, women and children wore them for the same purpose! Suspenders first appeared in 18th century France as strips of ribbon attached to the buttonhole of trousers, and were not meant to be seen or worn on the outside of garments. Beginning in the early 1820’s, British designer Albert Thurston provided a solution to the profoundly high-waisted pants men wore according to the fashion of the day. Suspenders that attached via leather loops were manufactured to replace the belt in these cases, since men’s pants were very high above the hip. Original designs show suspender straps made of tightly woven wool known as “boxcloth” and formed an “H” when attached at the back. They were made in two separate bands, with leather tabs and buttonholes, and one end adjustable with a buckle.  Later designs were made in knitted and crocheted cotton, embroidered in colored silks, lined with silk, and featured an X-back that later transformed into the Y-back. &#13;
&#13;
“Braces form a necessary adjunct to a gentleman’s wardrobe and they are generally pleased to have them prettily worked” (Britain, Woman’s Domestic Magazine, Patterns, Fashions and Needlework, 1865). &#13;
&#13;
The design and function of a single suspender clasp based off of image Cat # 8.47.12 are as follows: “A single suspender clasp stamped from copper alloy sheet metal, plated with a white metal, was recovered from this shaft feature (Cat # 8.47.12). The clasp features a detailed, stamped decoration consisting of beaded bands with a small floral and scroll motif. A wide, flat hook projects from one long edge and would have connected to a large metal ring to secure the ends of the suspender. This mechanism would allow the suspenders to be unhooked at the ring, while the straps and ends remained secured to the pants.” (http://diggingi95.com/features/high-priority-features-section-8/section-8-feature-5-personal-accessories/)&#13;
&#13;
The suspender end design created by E.W. Whittaker was patented on August 13, 1889. It features a design and shape almost exact to one of the suspender buckles in the collection (first picture, buckle in the bottom left hand corner). &#13;
&#13;
Garter belts and hose (stocking) supporters were used to hold up men, women, and children stockings to prevent them from falling down constantly. For men’s garters and hose supporters, they were usually made of silk and came in various colors. A clip from the garter was affixed to the sock edge and were made adjustable to fit comfortably below the knee. These pieces were not meant to be seen, hidden under trouser legs. For women, a more intricate design was manufactured and transformed over decades that featured a type of belt with hose supporters attached on each side. They were long straps with clips at the end that fell along the outside of the thigh that was then connected to the stocking. An earlier form of this combination belt, the girdle (corset combined with supporter straps), was replaced with garter belts, as they were easier to handle and less bulky, liberating the female figure. </text>
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9 round, ring pieces of corset grommets and eyelets. Rusted condition and some have deteriorated. </text>
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                <text>Selective Surface collection, West Zone, Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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https://www.famsf.org/blog/corsets-context-history#:~:text=1848%20%7C%20Joseph%20Cooper%20invents%20the,adopted%20from%20the%201850s%20onward.&#13;
http://tahliamckellartextiles.weebly.com/corset-timeline.html&#13;
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                <text>   Corsets of the 19th century reflected a more natural form of the female body. Though the hourglass figure and small waist were still coveted, the waistline of the corset dropped to a natural position compared to earlier designs of the corset. The fashion of the era called for high waisted and long flowing dresses, requiring heavily boned corsetry and tight lacing to achieve the desired figure. To ease this intense process of lacing, French Corsetier, Jean-Julien Josselin, invented the split busk in 1829, a front facing slot and stud closure to remove a corset without unlacing. This became extremely popular after Joseph Cooper patented the design in 1848 in America. &#13;
Corsets were used by all women, regardless of class, to represent and showcase their beauty. These undergarments were even used on young children and teenage girls to begin shaping their bodies and preparing for womanhood.</text>
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                <text>Complete milk glass bottle with embossed writing below lip reading Ingrams Milk Weed Cream. The bottle is complete and measures 5.7 cm in height and 4.5 cm wide at the base. Its opening at the top measures 3.1 cm in diameter. It has a threaded top, but no top was found. On the bottom surface it is embossed with “Bottle Pat D” followed by “No 481951”. These characters are marked in a circle around the bottom surface. &#13;
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                <text>The artifact is a bottle for a cosmetic product called “Ingram’s Milkweed Cream”  which based on the patent number, the jar was patented around the 1880s. The style of bottle ranges to as recently as the 1920s. The same bottle type is pictured in ads including one found from 1915. This product was produced by Fredrick F. Ingram &amp; Co. and a fairly common cosmetic product geared towards women. &#13;
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                <text>Intact glass bottle with missing upper portion of the neck. The bottle measures 15.7cm tall and 6.2cm in basal diameter. Some minor abrasion is apparent, potentially from the abrasive soil it was found in.&#13;
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                <text>http://www.bottleland.com/idDM304.htm&#13;
https://www.worthpoint.com/worthopedia/1885-otto-brandt-newark-j-blob-top-473755845 </text>
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                <text>Compared with other similar bottles found online, this glass bottle was most likely manufactured sometime between 1880-1890, with emphasis on the year 1885 due to a similar bottle found with “PAT 85” written on the bottom. The embossed writing on the bottle that reads, “Otto Brandt 287 Washington St. Newark, NJ” represents the bottles manufacture and identification origin. Based on internet research of bottle collector forums, Otto Brandt was one of three brothers who were all bottlers in the Newark area. Otto bottled and sold mineral and soda waters in the region from the late 1880’s to 1910, owning both a bottling plant and multiple stores to sell his wares. &#13;
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