1 10 13 https://omeka.drew.edu/files/original/a80574763e924a481d343550076411ae.png 879f16d0047ff7c9a466f739efa02128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Ceramic Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0009 White and Blue Porcelain Vase (Fragments) Subject The topic of the resource White and Blue Porcelain Vase (Fragments) Description An account of the resource Fragments of a white and blue porcelain vase ranging in size from 5cm-9cm. All of the individual fragments are in good condition (minimal chips and cracks) Creator An entity primarily responsible for making the resource The exact creator is unknown. White and blue porcelain ceramic was prominent in Jingdezhen, China. Source A related resource from which the described resource is derived Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Amy Zavecz Relation A related resource http://arts.cultural-china.com/en/31Arts240.html Type The nature or genre of the resource Ceramic Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cultural and Historical Significance: Among all porcelain produced in Jingdezhen, the most representative is blue-white porcelain 青花瓷 . Baking blue-white porcelain originated in the Northern Song Dynasty (960-1127). During the Yuan and Ming dynasties (1271-1644), blue-white porcelain became increasingly popular, and since the 14th century, manufacturers have shipped blue-white porcelain to world markets. The porcelain reached its peak in the Qing Dynasty (1644-1911). Its thin, translucent quality and exotic motifs made it very valuable throughout Europe and the colonies, ranking first among blue-white porcelain nationwide. Drawing the design with a cobalt pigment onto the stoneware body and painting over it with a transparent glaze creates the blue-white style, also known as "underglaze blue". The piece is then fired at a high temperature. Blue-white porcelain was introduced during the Yuan Dynasty (1271-1368) and has been in production ever since thanks to its bright colors, simple yet elegant patterns, and smooth glaze that never fades. The Yuan Dynasty is a key period for the development of the firing techniques for blue-white porcelain in China. Its unique characteristics were based on the techniques of former dynasties. Blue-white porcelain had become a major porcelain product in China by the Ming (1368-1644) and Qing dynasties (1644-1911). The blue-white porcelain of the Yuan Dynasty is large, with thick roughcast. Generally, the works include big bottles, pots, bowls, and plates, with the traditional flavor of the Tang (618-907) and Song (960-1279) dynasties. Due to the underdeveloped techniques, there are two interfaces on the body and several veins inside the body. The roughcast is not as smooth as that of the Ming and Qing dynasties and the glaze is thicker due to more iron in the raw glaze materials. There are bamboo-like lines at the foot of the porcelain. The body is connected to the foot before the glaze is coated. The body is decorated with lotuses, clouds, and flowers. Dense decorations were not only applied to blue-white porcelain but also to picture weaving and stone carving, reflecting the unique characteristics of the time. The major producer of blue-white porcelain in the Yuan Dynasty was Jingdezhen. In addition, there were kilns for blue-white porcelain production in East China's Zhejiang Province and Southwest China's Yunnan Province. Blue-white porcelain actually belongs to color-glazed porcelain and the coloring agent used is called cobalt oxide. First, using cobalt oxide, paint the unbaked mold, then apply a layer of translucent glaze over it and bake it at 1,300 degrees Celsius. The cobalt oxide will be reduced under the high temperature into a blue hue, which will be very bright and durable without poisonous lead. Each piece of monochrome-glazed porcelain has a single bright color with an exquisite design. A very good mastery of controlling temperature changes and content composition is required. Blue-white porcelain is most famous among the four traditional types of porcelain produced in Jingdezhen, and is renowned as the "ever-lasting blue flower." In 1979 Jingdezhen blue-white porcelain won a national golden prize and in 1985 it was honored with three gold medals at international fairs held in Leipzig, Brno, etc. Since then, the name "Jingdezhen Blue-white Porcelain" has spread far and wide. By far, it is a top product in the porcelain business, boasting the most prizes and highest standards. IIIF Item Metadata UUID 26dca25e-f2a6-475e-b8f6-46aa58f2f318 toexport https://omeka.drew.edu/files/original/d533881921d090486b0b4c82367137d0.png 66ec4ff3a613ab7fdc5c6c35146fb32e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Ceramic Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0008 Frozen Charlotte Doll Subject The topic of the resource Frozen Charlotte Doll Description An account of the resource The artifact is approximately 1 ½” tall. The artifact is composed of glazed, white porcelain in what appears to be the shape of a human. The glaze is cracked and the artifact is missing both arms, a leg, and the head. The color of the material in areas has been discolored and is similar to the hue of the soil in which the artifact was found. Source A related resource from which the described resource is derived Selective Surface collection, west Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology Date A point or period of time associated with an event in the lifecycle of the resource Late 19th century-early 20th century Contributor An entity responsible for making contributions to the resource Juliet LaVigne Relation A related resource Fernandez, Elizabeth. "Stll She Never Stirred": Frozen Charlotte Dolls of the Victorian Era. N.p., 30 Apr. 2015. Web. 30 Sept. 2016. Type The nature or genre of the resource Ceramics Rights Information about rights held in and over the resource The materials in this collection are made available for use in research, teaching and private study. Texts and images from this collection may not be used for any commercial purpose without prior permission from Drew University. Creator An entity primarily responsible for making the resource Unknown Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The color and shape of the artifact indicate that it could be identified as a Victorian doll known as a “Frozen Charlotte”. The small size of 1 ½” was typical for the stature of a Frozen Charlotte and was often characterized by its’ pure white color of porcelain. Also, the indentation between the legs of the artifact matches that of a Frozen Charlotte doll. The indentation is created in order to create a likeness to a small child or cherub. What is present of the broken arm on the artifact is close to the body and protruding outwards, common characteristics found in Frozen Charlotte dolls. The doll was not meant to have mobile limbs in order to create a “frozen” effect. The dolls were originally manufactured in Germany in 1850 up until the 1920s. Frozen Charlotte was a very popular doll made in the Victorian era that acted as a symbol of obedience. It was manufactured primarily in Germany and quickly spread to France and America where other companies began manufacturing this unique doll. The doll was used initially as a “badekinder”, German for bathing kids, or a bath toy. Some suggest that the doll was put in cakes and desserts much like the custom during Mardi Gras. Others claim that the doll was created in order to remind Victorian women to “hide their vainness”. This comes from the poem that supposedly tells the story behind Frozen Charlotte. A young girl, Charlotte, refused to put on her cloak on a winter’s sleigh ride despite her mother’s insistence, and that night she died due to vainness and the cold (Fernandez). IIIF Item Metadata UUID 62b8f082-1d71-44f1-adea-00a6206dbf06 toexport https://omeka.drew.edu/files/original/11d1408ea656f7f6189cf46b04e81c91.JPG 2fcbd23c01f47e0c24f1fad1e100014d https://omeka.drew.edu/files/original/9d92c9f424416e7c87eeae3cdcdd5baa.JPG 4e84c3ef20e968b74169a5288f6585e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0004 Star Bottle Subject The topic of the resource Small Glass Star Bottle Description An account of the resource Clear, glass bottle with a rounded body and straight “throat” part which may have been hand blown. Embossed star letters “MO” printed in the center space of the star It is complete and in good condition with some color fading/weathering near the lower part of the throat and sides of the body. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Ava Valentino Rights Information about rights held in and over the resource The materials in this collection are made available for use for educational purposes only for research, teaching and private study. Texts and images from this collection may not be used for any commercial purpose without prior permission from the Department of Anthropology, Drew University. Type The nature or genre of the resource Glass Relation A related resource https://www.antique-bottles.net/threads/mo-in-star.154908/ https://www.worthpoint.com/worthopedia/small-antique-star-david-jewish-1-131441051 https://www.reddit.com/r/BottleDigging/comments/7y7net/identification_small_bottle_with_star_of_david/ Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant From various related sources, this bottle could have been used to store oil/perfume/medicine, with the letters indicating the initials of the owner of the bottle. Further research is needed to find the provenience and origin of creation for the bottle. Although the embossed star could relate to the “Star of David”, various websites state that these bottles held oil/perfume/medicine, and the initials were of the owner (1,6,7,8,9,10). The embossed star could potentially be a symbol of the six point Brewer’s Star (2,11). This could have been from a women’s and girl’s apparel department store in Reading, PA called C.K. Whitner Co.(3,4,5). The maker’s mark of company Hutch F. W. Muller Arlington Heights, ILL includes a similar star (12). References https://www.reddit.com/r/whatisthisthing/comments/7yefwd/small_bottle_with_star_or_david_and_the_initials/ http://www.brewingmuseum.org/articles/six-point-brewers-star https://www.worthpoint.com/worthopedia/medicine-doll-handblown-glass-bottle-489888872 http://digitalcollections.powerlibrary.org/cdm/ref/collection/prepl-brcpc/id/29 https://www.ebay.com/itm/Vintage-C-K-Whitner-Co-Reading-Pa-438-444-Penn-Square-Metal-Tray-/274013544996 https://www.antique-bottles.net/threads/mo-in-star.154908/ https://www.worthpoint.com/worthopedia/small-antique-star-david-jewish-1-131441051 https://www.worthpoint.com/worthopedia/jewish-star-david-hand-blown-1923124565 https://www.worthpoint.com/worthopedia/small-flask-shape-embossed-star-david-1802354549 https://www.worthpoint.com/worthopedia/antique-bottle-embossed-star-david-1788627968 http://www.beeretseq.com/is-the-brewing-star-of-jewish-origin/ https://www.ebay.com/itm/Vintage-Hutch-F-W-Muller-Arlington-Heights-ILL-Bottle-Star-of-David-6-fl-oz/224048712746?hash=item342a580c2a:g:a4cAAOSwu51e6kSC IIIF Item Metadata UUID 04b06240-23a7-4f29-b277-531a3ba50a50 toexport https://omeka.drew.edu/files/original/ba1cd028fded3df9d69777b1b7cbfd0e.png 43b93096da0b67404c3a46e90896d7e1 https://omeka.drew.edu/files/original/783654f853c8a08694a463d248bad74b.png a469a8693d6c1c4bbcdc550217ed4680 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0024 Otto Brandt Bottle Subject The topic of the resource Glass Bottle Description An account of the resource Intact glass bottle with missing upper portion of the neck. The bottle measures 15.7cm tall and 6.2cm in basal diameter. Some minor abrasion is apparent, potentially from the abrasive soil it was found in. The lack of seams on the interior but presence of seams on the exterior suggests that it was made by blowing hot glass into a mold. Furthermore, the interior varies in thickness, which implies that it was blown from a single piece of glass placed inside a multi-part mold rather than being constructed of separate pressed glass elements that were fused together. Creator An entity primarily responsible for making the resource Otto Brandt 287 Washington St. Newark, NJ Source A related resource from which the described resource is derived Selective Surface collection, Zone East. Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Contributor An entity responsible for making contributions to the resource Ava Valentino Date A point or period of time associated with an event in the lifecycle of the resource c. 1885 Relation A related resource http://www.bottleland.com/idDM304.htm https://www.worthpoint.com/worthopedia/1885-otto-brandt-newark-j-blob-top-473755845 Type The nature or genre of the resource Glass Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Compared with other similar bottles found online, this glass bottle was most likely manufactured sometime between 1880-1890, with emphasis on the year 1885 due to a similar bottle found with “PAT 85” written on the bottom. The embossed writing on the bottle that reads, “Otto Brandt 287 Washington St. Newark, NJ” represents the bottles manufacture and identification origin. Based on internet research of bottle collector forums, Otto Brandt was one of three brothers who were all bottlers in the Newark area. Otto bottled and sold mineral and soda waters in the region from the late 1880’s to 1910, owning both a bottling plant and multiple stores to sell his wares. Based on Brandt’s type of business and trade negotiations, his products were sold to 3 counties surrounding Essex county, which includes Morris county. This was probably a daily commodity in Chatham and easily accessible to residents. IIIF Item Metadata UUID 74327076-1c98-4605-89c2-b401ef19d792 toexport https://omeka.drew.edu/files/original/b2c644be68ddd54b9c5a29f926a536f2.png ccc3c87ed9672d2902e647dff58cceaf https://omeka.drew.edu/files/original/f1f265120b0a225964f47b7e14c7d214.png 9e5e238b873ed5ab38c77006da0a73af https://omeka.drew.edu/files/original/e048682ccd9f889f7cdf408aa68846e8.png d66290aa58ab27e27494c7a55e3c94f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0030 Subject The topic of the resource Ingrams Milk Weed Cream Bottle Description An account of the resource Complete milk glass bottle with embossed writing below lip reading Ingrams Milk Weed Cream. The bottle is complete and measures 5.7 cm in height and 4.5 cm wide at the base. Its opening at the top measures 3.1 cm in diameter. It has a threaded top, but no top was found. On the bottom surface it is embossed with “Bottle Pat D” followed by “No 481951”. These characters are marked in a circle around the bottom surface. Creator An entity primarily responsible for making the resource Fredrick F. Ingram & Co. Source A related resource from which the described resource is derived Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Contributor An entity responsible for making contributions to the resource Amy Zavecz Type The nature or genre of the resource Glass Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The artifact is a bottle for a cosmetic product called “Ingram’s Milkweed Cream” which based on the patent number, the jar was patented around the 1880s. The style of bottle ranges to as recently as the 1920s. The same bottle type is pictured in ads including one found from 1915. This product was produced by Fredrick F. Ingram & Co. and a fairly common cosmetic product geared towards women. IIIF Item Metadata UUID 7294578b-e229-4c31-b01d-c29b0bf4d37a toexport Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0059 Subject The topic of the resource John Wanamker 4 Holed Metal Button Description An account of the resource Metal four holed button with embossed lettering reading John Wanamaker Creator An entity primarily responsible for making the resource John Wanamaker Source A related resource from which the described resource is derived Selective Surface collection, west Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Date A point or period of time associated with an event in the lifecycle of the resource Late 19th Century Contributor An entity responsible for making contributions to the resource Amy Zavecz IIIF Item Metadata UUID f683d636-ec1e-461d-9d0e-b22773ef1c68 toexport https://omeka.drew.edu/files/original/bc53a2a9427bfc46910a3994244c7ab6.JPG 97064f51e845d82d9f224914b74b2f5e https://omeka.drew.edu/files/original/12de33c12bdc87eaaed24adb26413123.JPG ea661c36e9ec2f9fdafb692cdd59498e https://omeka.drew.edu/files/original/cf1965f2f76dfa590a566e8a5b3e0af5.JPG ff01b82aa18eb69f6c89d14298f733ca https://omeka.drew.edu/files/original/299363512601e3c7cf7c37b173c413ea.JPG d6b17119b29f9503f359e3a40d50ffde https://omeka.drew.edu/files/original/84344e0c3b36992d7431440d8c41958d.JPG 0d992e82e4785ced12fb1a4ec92e53e6 https://omeka.drew.edu/files/original/1e98d3833715ef2b5219b89730fcea35.png 34e848db42db15e28823a8285d8473e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0062 Corset Pieces Subject The topic of the resource Corsets Description An account of the resource Over 20 pieces of metal corset slots/pegs from corset busks. Oval-like shapes with an opening in the center and 2 raised bumps/circles on the corners of the opposite end. Some vary in size and shape, with rectangular fragments attached to the back (rest of the busk) 9 round, ring pieces of corset grommets and eyelets. Rusted condition and some have deteriorated. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Selective Surface collection, West Zone, Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Contributor An entity responsible for making contributions to the resource Ava Valentino Type The nature or genre of the resource Metal Relation A related resource https://twitter.com/bostonNHP/status/1306602431002935296 https://vintagefashionguild.org/lingerie-guide/edwardian-corsets-early-19th-century/ https://www.famsf.org/blog/corsets-context-history#:~:text=1848%20%7C%20Joseph%20Cooper%20invents%20the,adopted%20from%20the%201850s%20onward. http://tahliamckellartextiles.weebly.com/corset-timeline.html https://adamselindisdress.blog/tag/split-busk/ Date A point or period of time associated with an event in the lifecycle of the resource 1829- Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Corsets of the 19th century reflected a more natural form of the female body. Though the hourglass figure and small waist were still coveted, the waistline of the corset dropped to a natural position compared to earlier designs of the corset. The fashion of the era called for high waisted and long flowing dresses, requiring heavily boned corsetry and tight lacing to achieve the desired figure. To ease this intense process of lacing, French Corsetier, Jean-Julien Josselin, invented the split busk in 1829, a front facing slot and stud closure to remove a corset without unlacing. This became extremely popular after Joseph Cooper patented the design in 1848 in America. Corsets were used by all women, regardless of class, to represent and showcase their beauty. These undergarments were even used on young children and teenage girls to begin shaping their bodies and preparing for womanhood. IIIF Item Metadata UUID 5dc1aad8-829f-4cab-8740-41fd0b815656 toexport https://omeka.drew.edu/files/original/39f36eb47a9da6954f6fcd73c0db0e12.JPG 3d0e30b192b0d0443bde47595f4c5b86 https://omeka.drew.edu/files/original/9d34a4921fcba785f161800dbe9f7883.JPG aa8f7637a13d0fc26806bed8cbdbe5d6 https://omeka.drew.edu/files/original/be764e8fb5669177ce937ecb8f1314c0.JPG a8e6cc6acfc9fd5cb40ac40c02a3ffc2 https://omeka.drew.edu/files/original/de76bc3ca1ae21cd653844c93e122c38.JPG 128289f9364edd97755ad203a3ecb7e4 https://omeka.drew.edu/files/original/a4c54819c427da574e73e2851cd7ff0d.JPG f7a8323c091d31bd1be81d191cdea167 https://omeka.drew.edu/files/original/a0e37831e0e0cd9230ccfbad83d0e022.JPG c914b0fca294945417956d8b3fa63c72 https://omeka.drew.edu/files/original/9b2c7b9c53b1693faa145c182407f3ac.JPG ddd8475661e49a28b29fc3d32a1d8fc2 https://omeka.drew.edu/files/original/5dc1a0f7de4af534ced4750bfc8d667c.JPG ceda237bfc5028b637296dc8d8b095ba https://omeka.drew.edu/files/original/cb644d86fca0f1b178d0bef1df97b72f.JPG e437f18c1b787285a3bc774986f21c5b https://omeka.drew.edu/files/original/b6e81be5744b58e428e9164bea7fe80c.png 5630e4ddc842ccb13f47ba9256ef1f29 https://omeka.drew.edu/files/original/30e6157c25427ed8c53caece84eacd6a.png 6dee8f010f01de505ab9517eb21d557b https://omeka.drew.edu/files/original/f0f9b16555f479e47513ce4600e45f3a.jpg fbccd7d5fcb3803c51ae58d0010c8323 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0064 Misc. Suspender and Garter Pieces Subject The topic of the resource Miscellaneous Suspender and Garter Metal Pieces Description An account of the resource This collection includes: -13 metal suspender buckles and adjusters in various sizes, shapes, and designs -22 metal pieces composed of 2 connected pieces featuring a hole in the center on the end -4 small rings pieces that fit through the above pieces -5 metal thin pieces with an opening on the end (supposed garter hooks/clips) Creator An entity primarily responsible for making the resource Unknown, Various Source A related resource from which the described resource is derived Selective Surface collection, West Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Date A point or period of time associated with an event in the lifecycle of the resource 19th century Contributor An entity responsible for making contributions to the resource Ava Valentino Relation A related resource http://content.time.com/time/nation/article/0,8599,2037331,00.html http://diggingi95.com/features/high-priority-features-section-8/section-8-feature-5-personal-accessories/ https://vintagedancer.com/victorian/victorian-mens-fashion-history/ http://www.kristinholt.com/archives/5027 Type The nature or genre of the resource Metal Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The suspender pieces featured in this collection include a mix of buckles and adjuster pieces, along with other unidentifiable but related metal pieces that could have belonged to other areas on the suspender strap or garter belt. An integral piece of men’s fashion during the 18th, 19th, and early 20th century was suspenders, or known as “braces” in Britain. Suspenders were composed of several diverse, metal pieces that fastened, tightened, and loosened the strap pieces according to each person’s desired fit and length. They were essential to keeping undergarments and outer garments in place, and served as a fashionable and decorative accessory. In fact, women and children wore them for the same purpose! Suspenders first appeared in 18th century France as strips of ribbon attached to the buttonhole of trousers, and were not meant to be seen or worn on the outside of garments. Beginning in the early 1820’s, British designer Albert Thurston provided a solution to the profoundly high-waisted pants men wore according to the fashion of the day. Suspenders that attached via leather loops were manufactured to replace the belt in these cases, since men’s pants were very high above the hip. Original designs show suspender straps made of tightly woven wool known as “boxcloth” and formed an “H” when attached at the back. They were made in two separate bands, with leather tabs and buttonholes, and one end adjustable with a buckle. Later designs were made in knitted and crocheted cotton, embroidered in colored silks, lined with silk, and featured an X-back that later transformed into the Y-back. “Braces form a necessary adjunct to a gentleman’s wardrobe and they are generally pleased to have them prettily worked” (Britain, Woman’s Domestic Magazine, Patterns, Fashions and Needlework, 1865). The design and function of a single suspender clasp based off of image Cat # 8.47.12 are as follows: “A single suspender clasp stamped from copper alloy sheet metal, plated with a white metal, was recovered from this shaft feature (Cat # 8.47.12). The clasp features a detailed, stamped decoration consisting of beaded bands with a small floral and scroll motif. A wide, flat hook projects from one long edge and would have connected to a large metal ring to secure the ends of the suspender. This mechanism would allow the suspenders to be unhooked at the ring, while the straps and ends remained secured to the pants.” (http://diggingi95.com/features/high-priority-features-section-8/section-8-feature-5-personal-accessories/) The suspender end design created by E.W. Whittaker was patented on August 13, 1889. It features a design and shape almost exact to one of the suspender buckles in the collection (first picture, buckle in the bottom left hand corner). Garter belts and hose (stocking) supporters were used to hold up men, women, and children stockings to prevent them from falling down constantly. For men’s garters and hose supporters, they were usually made of silk and came in various colors. A clip from the garter was affixed to the sock edge and were made adjustable to fit comfortably below the knee. These pieces were not meant to be seen, hidden under trouser legs. For women, a more intricate design was manufactured and transformed over decades that featured a type of belt with hose supporters attached on each side. They were long straps with clips at the end that fell along the outside of the thigh that was then connected to the stocking. An earlier form of this combination belt, the girdle (corset combined with supporter straps), was replaced with garter belts, as they were easier to handle and less bulky, liberating the female figure. IIIF Item Metadata UUID 93bf33d6-a5ca-40ec-9d10-68ee83ba6f82 toexport Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0046 - Greenwood China Dish Fragment Subject The topic of the resource A sherd of white ware pottery with GREENWOOD CHINA stamped as an identifier. Description An account of the resource A sherd of white ware pottery with a small portion of the foot visible on the underside. There is also a small imperfection on the underside of the artifact on the outside lip. In the middle of the underside GREENWOOD CHINA is stamped and underneath that is Trenton, N.J. And above all the writing is a small squiggle. All marks on the piece appear in a light green color. Creator An entity primarily responsible for making the resource Greenwood pottery Co Source A related resource from which the described resource is derived Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Date A point or period of time associated with an event in the lifecycle of the resource Circa 1862. Contributor An entity responsible for making contributions to the resource Aisha Arain Type The nature or genre of the resource White Ware Pottery Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Greenwood pottery Co. was established in 1862 by William Tams, an experienced potter from Staffordshire, England, who went into business with several Trenton investors. It was one of the largest producers of household and hotel china and remained in existence for more than 70 years. For a short period of time in the 1880s, it produced high quality art porcelain known as Ne Plus Ultra. This artifact, however, is not porcelain and therefore not the high quality ware referred to in the 18800s. This was most likely a plate based on the size and shape of the artifact which according to http://pages.tias.com/7401/PictPage/1920693965.html is 1-1/2” L; 5-7/8” when whole. This piece appears to be fairly widely produced and distributed due to its being found in Wyoming while being manufactured in New Jersey. It seems as if the ceramic may have been cheap and the picture above was listed for sale online for sale at $3.75. It is unclear whether the company still exists or went out of business therefore all that is known is that the piece originated post 1862. This artifact found on the east side of the survey area seems to further indicate a possible home or hotel based on the fact that the same type of pottery was found at a historic hotel in Wyoming. It is interesting to note that a selective collection at a hotel historic site in Yellowstone National Park at the Yellowstone Lake Hotel found 22 pieces of chinaware identified as being Greenwood China and Co. from Trenton N.J. The army was at one point stationed in the park and supposedly added a mark to their pottery denoting that it was ‘quartermasters corp.’; although this was only until 1916. IIIF Item Metadata UUID eb452942-7ab3-4b0b-a6c4-b100e6760005 toexport Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passaic River Artifacts IIIF Collection Metadata UUID 489fdc91-9dc6-4c1f-97fc-901000444d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DUPRS_0047 - Alderney Dairy Co. Bottle Base Subject The topic of the resource A broken glass shard of irregular shape. Description An account of the resource The artifact is in one piece, a broken glass shard of irregular shape. It was plainly once circular, and formed the end of a cylindrical shape. Most likely this is the bottom of a bottle. It is marked with an ‘F’ in the center and along the edges ‘T.F’M’G Co., ‘PAT’, and ‘9’0 are clearly seen. The rest of the information they formerly conveyed, as well as their context, has been lost with other bottle pieces. Creator An entity primarily responsible for making the resource Alderney Dairy Company, Source A related resource from which the described resource is derived Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey) Publisher An entity responsible for making the resource available Drew University, Department of Anthropology, Drew University Passaic River Survey Date A point or period of time associated with an event in the lifecycle of the resource Circa 1880. Contributor An entity responsible for making contributions to the resource Aisha Arain Type The nature or genre of the resource Glass Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ‘T.F’M’G Co.’ is a marking typical of the bottoms of milk bottles produced by the Alderney Dairy Company, once located at 26 Bridge Street, Newark. Both Alderney and T.F’M’G have long ago passed into obscurity; the exact date was undeterminable, however it is likely that the Alderney company based in the greater Newark area closed down some time prior to 1938. Very little information seems to remain of the old Alderney company outside of old photographs of their milk bottling facilities. The business may have shut down due to the Great Depression or just the flow of business. The bottle shards would seem typical of a bottle in the style of the complete bottle produced by Alderney Dairy, Newark in 1889. The bottle shards were found in an area that has long been used as a garbage dump (the designation of the site area as a park hasn’t stopped this practice completely; plenty of modern trash may be found next to items which may be over a hundred years old), so I believe the item’s significance is one of an everyday object, something quite common in the time of its manufacture and use. The bottle must have been considered disposable enough to discard at some point; either intentionally as a whole bottle once used, or as a consequence of breaking the bottle in some other way. If it were more precious, repair could have been attempted. IIIF Item Metadata UUID 48e87fcd-dcb7-43aa-92c8-131654291dc9 toexport