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                  <text>Passaic River Artifacts</text>
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                <text>DUPRS_0004 Star Bottle</text>
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                <text>Small Glass Star Bottle</text>
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                <text>Clear, glass bottle with a rounded body and straight “throat” part which may have been hand blown. Embossed star letters “MO” printed in the center space of the star&#13;
It is complete and in good condition with some color fading/weathering near the lower part of the throat and sides of the body. &#13;
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                <text>Unknown</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>Unknown</text>
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                <text>Ava Valentino</text>
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                <text> The materials in this collection are made available for use for educational purposes only for research, teaching and private study. Texts and images from this collection may not be used for any commercial purpose without prior permission from the Department of Anthropology, Drew University.&#13;
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                <text>Glass</text>
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                <text>https://www.antique-bottles.net/threads/mo-in-star.154908/ https://www.worthpoint.com/worthopedia/small-antique-star-david-jewish-1-131441051 https://www.reddit.com/r/BottleDigging/comments/7y7net/identification_small_bottle_with_star_of_david/</text>
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                <text>From various related sources, this bottle could have been used to store oil/perfume/medicine, with the letters indicating the initials of the owner of the bottle. &#13;
Further research is needed to find the provenience and origin of creation for the bottle. &#13;
&#13;
Although the embossed star could relate to the “Star of David”, various websites state that these bottles held oil/perfume/medicine, and the initials were of the owner (1,6,7,8,9,10). The embossed star could potentially be a symbol of the six point Brewer’s Star (2,11). This could have been from a women’s and girl’s apparel department store in Reading, PA called C.K. Whitner Co.(3,4,5). The maker’s mark of company Hutch F. W. Muller Arlington Heights, ILL includes a similar star (12).&#13;
&#13;
 References&#13;
&#13;
https://www.reddit.com/r/whatisthisthing/comments/7yefwd/small_bottle_with_star_or_david_and_the_initials/ &#13;
http://www.brewingmuseum.org/articles/six-point-brewers-star&#13;
https://www.worthpoint.com/worthopedia/medicine-doll-handblown-glass-bottle-489888872&#13;
http://digitalcollections.powerlibrary.org/cdm/ref/collection/prepl-brcpc/id/29&#13;
https://www.ebay.com/itm/Vintage-C-K-Whitner-Co-Reading-Pa-438-444-Penn-Square-Metal-Tray-/274013544996&#13;
https://www.antique-bottles.net/threads/mo-in-star.154908/&#13;
https://www.worthpoint.com/worthopedia/small-antique-star-david-jewish-1-131441051&#13;
https://www.worthpoint.com/worthopedia/jewish-star-david-hand-blown-1923124565&#13;
https://www.worthpoint.com/worthopedia/small-flask-shape-embossed-star-david-1802354549&#13;
https://www.worthpoint.com/worthopedia/antique-bottle-embossed-star-david-1788627968 &#13;
http://www.beeretseq.com/is-the-brewing-star-of-jewish-origin/ &#13;
https://www.ebay.com/itm/Vintage-Hutch-F-W-Muller-Arlington-Heights-ILL-Bottle-Star-of-David-6-fl-oz/224048712746?hash=item342a580c2a:g:a4cAAOSwu51e6kSC </text>
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                <text>04b06240-23a7-4f29-b277-531a3ba50a50</text>
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                <text>DUPRS_0008 Frozen Charlotte Doll</text>
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                <text>Frozen Charlotte Doll</text>
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                <text>The artifact is approximately 1 ½” tall. The artifact is composed of glazed, white porcelain in what appears to be the shape of a human. The glaze is cracked and the artifact is missing both arms, a leg, and the head. The color of the material in areas has been discolored and is similar to the hue of the soil in which the artifact was found. &#13;
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                <text>Selective Surface collection, west Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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            <name>Date</name>
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                <text>Late 19th century-early 20th century</text>
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                <text>Juliet LaVigne</text>
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                <text>Fernandez, Elizabeth. "Stll She Never Stirred": Frozen Charlotte Dolls of the Victorian Era. N.p., 30 Apr. 2015. Web. 30 Sept. 2016.&#13;
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                <text>The materials in this collection are made available for use in research, teaching and private study. Texts and images from this collection may not be used for any commercial purpose without prior permission from Drew University.</text>
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                <text>Unknown</text>
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                <text>The color and shape of the artifact indicate that it could be identified as a Victorian doll known as a “Frozen Charlotte”. The small size of 1 ½” was typical for the stature of a Frozen Charlotte and was often characterized by its’ pure white color of porcelain. Also, the indentation between the legs of the artifact matches that of a Frozen Charlotte doll. The indentation is created in order to create a likeness to a small child or cherub. What is present of the broken arm on the artifact is close to the body and protruding outwards, common characteristics found in Frozen Charlotte dolls. The doll was not meant to have mobile limbs in order to create a “frozen” effect. The dolls were originally manufactured in Germany in 1850 up until the 1920s. &#13;
Frozen Charlotte was a very popular doll made in the Victorian era that acted as a symbol of obedience. It was manufactured primarily in Germany and quickly spread to France and America where other companies began manufacturing this unique doll. The doll was used initially as a “badekinder”, German for bathing kids, or a bath toy. Some suggest that the doll was put in cakes and desserts much like the custom during Mardi Gras. Others claim that the doll was created in order to remind Victorian women to “hide their vainness”. This comes from the poem that supposedly tells the story behind Frozen Charlotte. A young girl, Charlotte, refused to put on her cloak on a winter’s sleigh ride despite her mother’s insistence, and that night she died due to vainness and the cold (Fernandez). </text>
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                <text>DUPRS_0009 White and Blue Porcelain Vase (Fragments)</text>
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                <text>White and Blue Porcelain Vase (Fragments)</text>
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                <text>Fragments of a white and blue porcelain vase ranging in size from 5cm-9cm. All of the individual fragments are in good condition (minimal chips and cracks)&#13;
&#13;
&#13;
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                <text>The exact creator is unknown. White and blue porcelain ceramic was prominent in Jingdezhen, China. </text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology&#13;
&#13;
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                <text>Unknown</text>
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            <name>Contributor</name>
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                <text>Amy Zavecz</text>
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                <text>http://arts.cultural-china.com/en/31Arts240.html &#13;
</text>
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                <text>Ceramic</text>
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                <text>Cultural and Historical Significance: Among all porcelain produced in Jingdezhen, the most representative is blue-white porcelain 青花瓷 . Baking blue-white porcelain originated in the Northern Song Dynasty (960-1127). During the Yuan and Ming dynasties (1271-1644), blue-white porcelain became increasingly popular, and since the 14th century, manufacturers have shipped blue-white porcelain to world markets. The porcelain reached its peak in the Qing Dynasty (1644-1911). Its thin, translucent quality and exotic motifs made it very valuable throughout Europe and the colonies, ranking first among blue-white porcelain nationwide. &#13;
Drawing the design with a cobalt pigment onto the stoneware body and painting over it with a transparent glaze creates the blue-white style, also known as "underglaze blue". The piece is then fired at a high temperature. Blue-white porcelain was introduced during the Yuan Dynasty (1271-1368) and has been in production ever since thanks to its bright colors, simple yet elegant patterns, and smooth glaze that never fades. &#13;
The Yuan Dynasty is a key period for the development of the firing techniques for blue-white porcelain in China. Its unique characteristics were based on the techniques of former dynasties. Blue-white porcelain had become a major porcelain product in China by the Ming (1368-1644) and Qing dynasties (1644-1911). &#13;
The blue-white porcelain of the Yuan Dynasty is large, with thick roughcast. Generally, the works include big bottles, pots, bowls, and plates, with the traditional flavor of the Tang (618-907) and Song (960-1279) dynasties. Due to the underdeveloped techniques, there are two interfaces on the body and several veins inside the body. The roughcast is not as smooth as that of the Ming and Qing dynasties and the glaze is thicker due to more iron in the raw glaze materials. &#13;
There are bamboo-like lines at the foot of the porcelain. The body is connected to the foot before the glaze is coated. The body is decorated with lotuses, clouds, and flowers. Dense decorations were not only applied to blue-white porcelain but also to picture weaving and stone carving, reflecting the unique characteristics of the time. &#13;
The major producer of blue-white porcelain in the Yuan Dynasty was Jingdezhen. In addition, there were kilns for blue-white porcelain production in East China's Zhejiang Province and Southwest China's Yunnan Province. &#13;
Blue-white porcelain actually belongs to color-glazed porcelain and the coloring agent used is called cobalt oxide. First, using cobalt oxide, paint the unbaked mold, then apply a layer of translucent glaze over it and bake it at 1,300 degrees Celsius. The cobalt oxide will be reduced under the high temperature into a blue hue, which will be very bright and durable without poisonous lead. Each piece of monochrome-glazed porcelain has a single bright color with an exquisite design. A very good mastery of controlling temperature changes and content composition is required. Blue-white porcelain is most famous among the four traditional types of porcelain produced in Jingdezhen, and is renowned as the "ever-lasting blue flower." &#13;
In 1979 Jingdezhen blue-white porcelain won a national golden prize and in 1985 it was honored with three gold medals at international fairs held in Leipzig, Brno, etc. Since then, the name "Jingdezhen Blue-white Porcelain" has spread far and wide. By far, it is a top product in the porcelain business, boasting the most prizes and highest standards. &#13;
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                <text>Intact glass bottle with missing upper portion of the neck. The bottle measures 15.7cm tall and 6.2cm in basal diameter. Some minor abrasion is apparent, potentially from the abrasive soil it was found in.&#13;
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                <text>Otto Brandt 287 Washington St. Newark, NJ</text>
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                <text>Selective Surface collection, Zone East. Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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                <text>Ava Valentino</text>
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                <text>c. 1885</text>
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                <text>http://www.bottleland.com/idDM304.htm&#13;
https://www.worthpoint.com/worthopedia/1885-otto-brandt-newark-j-blob-top-473755845 </text>
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                <text>Compared with other similar bottles found online, this glass bottle was most likely manufactured sometime between 1880-1890, with emphasis on the year 1885 due to a similar bottle found with “PAT 85” written on the bottom. The embossed writing on the bottle that reads, “Otto Brandt 287 Washington St. Newark, NJ” represents the bottles manufacture and identification origin. Based on internet research of bottle collector forums, Otto Brandt was one of three brothers who were all bottlers in the Newark area. Otto bottled and sold mineral and soda waters in the region from the late 1880’s to 1910, owning both a bottling plant and multiple stores to sell his wares. &#13;
Based on Brandt’s type of business and trade negotiations, his products were sold to 3 counties surrounding Essex county, which includes Morris county. This was probably a daily commodity in Chatham and easily accessible to residents. </text>
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                <text>Ingrams Milk Weed Cream Bottle</text>
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                <text>Complete milk glass bottle with embossed writing below lip reading Ingrams Milk Weed Cream. The bottle is complete and measures 5.7 cm in height and 4.5 cm wide at the base. Its opening at the top measures 3.1 cm in diameter. It has a threaded top, but no top was found. On the bottom surface it is embossed with “Bottle Pat D” followed by “No 481951”. These characters are marked in a circle around the bottom surface. &#13;
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                <text>Fredrick F. Ingram &amp; Co.</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>Amy Zavecz</text>
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                <text>The artifact is a bottle for a cosmetic product called “Ingram’s Milkweed Cream”  which based on the patent number, the jar was patented around the 1880s. The style of bottle ranges to as recently as the 1920s. The same bottle type is pictured in ads including one found from 1915. This product was produced by Fredrick F. Ingram &amp; Co. and a fairly common cosmetic product geared towards women. &#13;
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                <text>DUPRS_0034 - Lea &amp; Perrins Worcestershire Bottle and Stopper&#13;
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                <text>An American Lea &amp; Perrins Worcestershire Bottle. The initials ‘JDS’ on the bottom of the bottle stand for ‘John Duncan Sons’ – the original importer of Lea &amp; Perrins Worcestershire Sauce, located in New York. If the mold seam continues straight through to the top of the bottle, it was made after 1890. If the mold seam stops just before the finish, the bottle was made prior to 1890.</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>The ‘JDS’ bottle for Lea &amp; Perrins Worcestershire Sauce was first made in 1876 by the Salem Glass Works, Salem New Jersey. Prior to that full bottles were imported from England. The lettering on the bottle guaranteed the customer of the original and genuine Worcestershire sauce. Often copied but never duplicated, it was widely imitated in the 19th century.&#13;
In the beginning, John Duncan had a license for importing Lea &amp; Perrins Worcestershire sauce into America. He had his own bottles made in England, filled there, and then shipped to America. Later Duncan obtained a new license, and began bottling L&amp;P Worcestershire in America. The first bottles manufactured in America were made in 1876 by the Salem Glass Works in Salem, NJ. Numerals shown on the bottom of the bottle are not part of the trademark, but the numbers are the serial number of the mold that made the bottle. The number will differ because different molds were use. The green color of the bottle is a result of an impurity (iron) in the sand that was used to make the glass. The L&amp;P bottle is a reflection of life at the site. The site may have been a community or a place where people lived. &#13;
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                <text>DUPRS_0045 - P. &amp; J. Arnold Ink bottle produced by J. Bourne &amp; Son potters&#13;
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                <text>The bottle is ceramic which appears wheel thrown due to streak marks and cut base. Brown outside probably from a sort of glaze. Base is 9 cm in diameter, equal to about 3.5 inches. Stamp-marked with the following label: Vitreous Stone Bottle; J Bourne &amp; Son,; (indiscernible); Denby Pottery, Near Derby; P &amp; J. Arnold; London. Unfortunately because the top of the bottle is missing, exactly what this bottle once contained cannot be determined. However, most likely the bottle held ink because P &amp; J. Arnolds was an ink producing company. Based on the ‘Son’ on the back stamp this stone bottle dates post 1841. It was hand thrown on a wheel and glazed with common salt producing the brown glazed finish.  &#13;
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                <text>Vitreous Stone Bottle, held the ink produced by P. and J. Arnold&#13;
Manufactured post 1841 due to labels inclusion of &amp; Son; between 1860-1890.&#13;
In Denby near Derbyshire England. Exported by P. &amp; J. Arnold of London&#13;
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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              <elementText elementTextId="3090">
                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>Circa 1862. &#13;
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              <elementText elementTextId="3092">
                <text>Aisha Arain</text>
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                <text>Stoneware ceramic&#13;
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                <text>   These stone bottles were not high class material, comparable to our contemporary plastic storage containers, they were disposable. The people of the 1800s utilized these stone vessels to store various liquids such as ink, preserves, paste, beer, medicine, varnish, and so on. Compared to glass at the time, stoneware products were economically practical. The company that produced this bottle was named after Joseph Bourne who officially founded the company in 1809 and it continued to manufacture stone bottles until 1976. Joseph’s father William was a potter as well as who, on the horizon of the Industrial Revolution, foresaw the benefits of leasing a large clay bed near Derby which was then passed onto his son. The modest singular kiln company grew steadily over the years. Joseph Bourne’s pottery in Derbyshire England made large quantities of these bottles. For many years P. &amp; J. Arnold of London used Bourne vessels for his ink products. For many years, P. &amp; J. Arnold of London used bourne vessels for his ink products. These ink products, and Joseph Bourne’s containers were heavily imported to the U.S. by the mid 19th century, which could account for this artifact being found along the Passaic River in New Jersey. If there were factories in this area, records would have to be kept and ink to write them in. Bourne’s bottles were not expensive during this time period, unlike glass, and with their thriving factory during the Industrial Revolution it is doubtless their exports reached the ports of New Jersey and New York (New Amsterdam). &#13;
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                <text>DUPRS_0046 - Greenwood China Dish Fragment&#13;
&#13;
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                <text>A sherd of white ware pottery with GREENWOOD CHINA stamped as an identifier. </text>
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                <text>A sherd of white ware pottery with a small portion of the foot visible on the underside. There is also a small imperfection on the underside of the artifact on the outside lip. In the middle of the underside GREENWOOD CHINA is stamped and underneath that is Trenton, N.J. And above all the writing is a small squiggle. All marks on the piece appear in a light green color. </text>
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                <text>Greenwood pottery Co</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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              <elementText elementTextId="3046">
                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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                <text>Circa 1862. </text>
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                <text>Aisha Arain</text>
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            <name>Type</name>
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                <text>White Ware Pottery&#13;
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                <text>Greenwood pottery Co. was established in 1862 by William Tams, an experienced potter from Staffordshire, England, who went into business with several Trenton investors. It was one of the largest producers of household and hotel china and remained in existence for more than 70 years. For a short period of time in the 1880s, it produced high quality art porcelain known as Ne Plus Ultra. This artifact, however, is not porcelain and therefore not the high quality ware referred to in the 18800s. This was most likely a plate based on the size and shape of the artifact which according to http://pages.tias.com/7401/PictPage/1920693965.html is 1-1/2” L; 5-7/8” when whole. &#13;
This piece appears to be fairly widely produced and distributed due to its being found in Wyoming while being manufactured in New Jersey. It seems as if the ceramic may have been cheap and the picture above was listed for sale online for sale at $3.75. It is unclear whether the company still exists or went out of business therefore all that is known is that the piece originated post 1862. This artifact found on the east side of the survey area seems to further indicate a possible home or hotel based on the fact that the same type of pottery was found at a historic hotel in Wyoming. It is interesting to note that a selective collection at a hotel historic site in Yellowstone National Park at the Yellowstone Lake Hotel found 22 pieces of chinaware identified as being Greenwood China and Co. from Trenton N.J. The army was at one point stationed in the park and supposedly added a mark to their pottery denoting that it was ‘quartermasters corp.’; although this was only until 1916. &#13;
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                  <text>Passaic River Artifacts</text>
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                <text>DUPRS_0047 - Alderney Dairy Co. Bottle Base</text>
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                <text>A broken glass shard of irregular shape. </text>
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                <text>The artifact is in one piece, a broken glass shard of irregular shape. It was plainly once circular, and formed the end of a cylindrical shape. Most likely this is the bottom of a bottle. It is marked with an ‘F’ in the center and along the edges ‘T.F’M’G Co., ‘PAT’, and ‘9’0 are clearly seen. The rest of the information they formerly conveyed, as well as their context, has been lost with other bottle pieces.&#13;
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                <text>Alderney Dairy Company, </text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="3056">
                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3057">
                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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            <name>Date</name>
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              <elementText elementTextId="3058">
                <text>Circa 1880. </text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="3059">
                <text>Aisha Arain</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Glass</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>‘T.F’M’G Co.’ is a marking typical of the bottoms of milk bottles produced by the Alderney Dairy Company, once located at 26 Bridge Street, Newark. Both Alderney and T.F’M’G have long ago passed into obscurity; the exact date was undeterminable, however it is likely that the Alderney company based in the greater Newark area closed down some time prior to 1938. Very little information seems to remain of the old Alderney company outside of old photographs of their milk bottling facilities. The business may have shut down due to the Great Depression or just the flow of business. The bottle shards would seem typical of a bottle in the style of the complete bottle produced by Alderney Dairy, Newark in 1889. &#13;
The bottle shards were found in an area that has long been used as a garbage dump (the designation of the site area as a park hasn’t stopped this practice completely; plenty of modern trash may be found next to items which may be over a hundred years old), so I believe the item’s significance is one of an everyday object, something quite common in the time of its manufacture and use. The bottle must have been considered disposable enough to discard at some point; either intentionally as a whole bottle once used, or as a consequence of breaking the bottle in some other way. If it were more precious, repair could have been attempted.&#13;
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                <text>DUPRS_0048 - Consolidate Fruit Jar Company Lid&#13;
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                <text>Milk-Glass Jar Insert</text>
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                <text>This is a round, flat, white piece of milk glass with two consecutive rings outside of it with the inscription ‘Consolidated Fruit Jar Company, New York’ around the outermost ring. It is about 3.5 inches in diameter. The center circle has a symbol on it and the writing, rings, and symbol are all raised.&#13;
It is a circle of milky, opal-colored glass, 6.5 mm in diameter. 2 outer concerntric rings surrounding a center circle of 3mm in diameter. Center circle has raised marker’s mark and the outermost circle has ‘Consolidated Fruit Jar Company, New York’ pressed on it. Underside has a number ‘12’ pressed into it and one outer concentric circle of 1mm surrounding inner circle of 5.5mm diameter. It was used to separate the fruit and the metal closures in canned fruit jars to make the fruit more ‘sanitary’. &#13;
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                <text>The Consolidated Fruit Jar Company </text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>1871-1908. &#13;
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                <text>Aisha Arain</text>
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                <text>Glass</text>
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                <text>The Consolidated Fruit Jar Company operated out of New Brunswick, NJ between 1871 and 1908. It was owned by Lewis R. Boyd, who is most famous for the patent of this object which is a white milk-glass insert for zinc screw lids on hand-blown glass jars that was used to keep food from coming in contact with the metal so that it would preserve for longer. During 1871 and 1885 companies used outside contractors to make their lid-liners following a large factory fire. This type of glass lid-liner was patented in 1869 by Louis R. Boyd. Lewis R. Boyd and his company – The Sheet Metal Screw Company – patented a white ‘milk-glass’ insert for zinc screw lids to theoretically lessen the chances that food would come in contact with metal in 1869. Boyd became a partner in the Consolidated Fruit Jar Company in 1871, which was based in New Brunswick, New Jersey. This company contracted out with many other companies to produce their mason jars, a very popular item at the time. They stopped being manufactured around 1885, and the company went out of business in 1908. &#13;
Since the glass lid dates from the late 1800s to the early 1900s, it could mean that this area of the Passaic River was in use at this time, unless the lid drifter downstream from another site, but this in unlikely since the jar top was found buried. Since the lid would have been on some sort of food product, it could indicate that this area was a popular picnic spot of the late 1800s, as it is today, or that this area was lived in and the jar lid was a commonplace item in a home of this time. Since this part of the Passaic River is on the outskirts of New York City, perhaps Madison was a popular weekend spot for New Yorkers during this time period to get out of the city, relax, and picnic. The presence of this object helps us to date possible settlements near the Passaic River and supports the hypothesis of this area being a lower class area. These jars were mass produced and relatively inexpensive. It also implies that instead of a housing barrack for just male workers, that women and children might have lived here. &#13;
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