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              <name>Title</name>
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                  <text>Passaic River Artifacts</text>
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                <text>DUPRS_0039 Stafford Ink Bottle</text>
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                <text>S.S. Stafford Ink Bottle</text>
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                <text>The artifact is a fragment of a bottle; the base of the bottle. The width of the base is 5 ½ cm. The total height of the artifact is 8 cm. The average thickness of the glass is approximately 2/10 cm. The identifiable part of the artifact is the writing on the bottom part of the bottle. The lettering on the bottle is “S.S. Staffo/ Made in”</text>
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                <text>S.S. Stafford Ink Company, New York, USA</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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            <name>Publisher</name>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Late 1800s to early 1900s</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Juliet LaVigne</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Glass</text>
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                <text>   These bottles were made in the late 1800s. S.S. Stafford was making ink as early as 1858, but the company did not start producing ink commercially until 1869. If the total size of the bottle was reconstructed, a more specific date could be estimated. By understanding the size of the bottle we could look at the records and when this size of bottle was first introduced into the market. &#13;
During the 19th century, America had a booming ink industry. The ink industry included open wards of 300 different ink makers. All of them were spread out over America. Those best known were Davids, Maynards and Noyes, Carter, Underwood, Stafford, Moore, Davis, Thomas, Stanford, Barnes, Morrell, Walkden, Lyons, Freeman, Murray, Todd, Bonney, Pomeroy, Worthington, Joy, Blair, Cross, Dunlap, Higgins, Paul, Anderson, Woodmansee, Delang, Allen, Stearns, Gobel, Wallach, Bartram, Ford and Harrison. S.S. Stafford Ink Company was founded in New York. “Stafford’s Ink” combined writing and copying ink. S.S. Stafford Ink Company made an appeal in the district court of the southern district of New York. In the 1920s S.S. Stafford Ink Company was in court over a bottle stopper. They brought to court Thaddeus Davids Ink Company, arguing that Davids Ink Co. had taken their produce without prepared consent and sold it on their bottles. This shows how S.S. Stafford had become a big part of the industry. They were making new bottle designs, and also harshly competing with the other ink companies near them.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>DUPRS_0040 Gulden's Mustard Bottle</text>
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            <description>The topic of the resource</description>
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                <text>Gulden's Mustard Bottle</text>
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                <text>The artifact is a partially intact clear glass bottle. Although it is a fragmented artifact, most of the bottle is intact. The fragment suggests that the original artifact was not perfectly cylindrical but rather smallest in diameter at the top and bottom and thickest in the middle. The glass is unscathed and clear with very few blemishes. There is partial lettering, and all of the letters on the bottle are clearly readable. These letters are not painted on; they are formed into the glass. The fragment has approximately 6cm in diameter. The fragment measures 7cm in height, however, it does not seem that the fully intact bottle would be more than a few centimeters taller than the fragment. Both the bottom and sides of the bottle were approximately .4cm thick.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gulden's Mustard</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>The lettering on this artifact clearly states the words "Gulden:Chase" with "New York" written underneath. The shape and size of the artifact are very similar to that of mustard bottles that were manufactured between the 1890s and the 1920s. There are several documented photographs of bottles also manufactured by Gulden during these times that have the same barrel design as the artifact found also the Passaic River. These bottles are quite bulbous and are meant specifically for mustard. Their bulbous structure allows for easy extraction of the sauce-like condiment. This artifact appears to be a mustard bottle manufactured between 1850 and 1930. The first prototype for this bottle was patented in 1845 and slight variations of the barrel shape were made until the company converted to plastic bottles in the late 20th century.</text>
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                <text>Juliet LaVigne</text>
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            <description>A related resource</description>
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              <elementText elementTextId="2957">
                <text>Lambert, Tim. A History of Condiments. http:www.localhistories.org/condiments.html&#13;
Society for Historical Archaeology, identifying bottles: http://www.sha.org/bottle/food.htm#Barrel%20mustard&#13;
https://sha.org/bottle/Typing/food/guldenad.jpg </text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Glass</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Before the invention of modern food preservatives and fixtures such as refrigerators, spices, sauces, and condiments were almost necessary for eating food. Salt, the first condiment widely used, was used to mask the taste of meat that was less than fresh. It is difficult to interpret the cultural meaning of a condiment like mustard during the early 20th century. However, given this good housekeeping advertisement from 1922, it seems that Gulden's Mustard was advertised as a condiment to be used in upper-class homes. The advertisement shows a hefty steak on top of expensive china with bright silverware and Gulden's Mustard on the side to make the perfect meal. This shows that mustard was a higher class condiment and if you could afford it, it showed status. The advertisement is trying to make people think that they are fancy and higher-class if they buy Gulden's mustard. They want to show that the food will taste better, like high-class food.</text>
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                  <text>Passaic River Artifacts</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>DUPRS_0037 Tar Felt</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tar-Covered Felt Shingles</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Multiple pieces of felt, of different sizes and shapes, covered with black tar on both sides of most, and with little gravel pebbles only on one side of some.  A few of the pieces seem to have been melted, possibly in a fire.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown, possibly the Stanley Coal Tar Mill</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Stanley Park West</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Mid to Late 1800s</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>The felt clothes items found at the site.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="2968">
                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Emily Graves</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Tar</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="2971">
                <text>It was common in this time period for mills to be repurposed as demands changed.  As the Stanley Felt Paper Mill stopped producing clothes items in the late 1800s, they instead began to cover the felt they were producing with tar in order to create roof shingles.  As there was evidence of felt clothes pieces and uniformly sized tar-covered felt pieces found at the site, this supports that idea.</text>
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                <text>DUPRS_0033 Round Bottom Glass Bottle</text>
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            <description>The topic of the resource</description>
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                <text>Round bottom green-tinted glass bottle &#13;
</text>
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                <text>Fragments and partially complete, green-tinted, rounded bottom glass bottles. One basal fragment is approximately 5.5 centimeters wide from one side of the bottle to the other. The glass is approximately 1 cm thick. No markings are visible. &#13;
</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>No markings visible indicating manufacturer. Similar bottles were typically used for mineral water or carbonated soda drinks manufactured and used between approximately 1870-1910 and often manufactured in Great Britain. &#13;
</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>These bottles were likely either for mineral water or carbonated soda drinks. This type of bottle was intentionally manufactured with a rounded bottom so that the bottles would lie on their side; the design would prevent the wired down cork from drying out and shrink which would have allowed the contents to loose carbonation and/or evaporate. The bottle type is often referred to as “round bottom sodas” or “ballast bottles” or can be found now referred to as torpedo bottles. The latter name stems from the belief that such bottles were shipped from England to the United States as “ballast,” or weight, in the cargo bays of ships. Usually, this kind of bottle was made in a two-piece mold, though variations were hand-blown. According to historical dating of such bottles, one such as this could have been produced in the United States or Great Britain. According to online resources for antique bottles, the vast majority of this bottle type found in the United States is from Great Britain, specifically the countries of England and Ireland. It is known that the bottles may even have been produced overseas for distributors in the United States such as seen in the Illinois Glass Company’s 1906 catalog, offering a round bottom “ginger ale” bottle design that was very common in the United Kingdom. &#13;
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                <text>2 small metal shank buttons, about 1.5cm wide each&#13;
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1 metal shank button with an image of an anchor in the center, small border around the front, convex shape, and about 1.5cm wide</text>
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                <text>https://www.usmilitariaforum.com/forums/index.php?/topic/173001-us-military-uniform-buttons-interesting-facts/&#13;
https://www.georgewashingtoninauguralbuttons.com/1794-1865-the-united-states-navy-the-republic-of-texas-confederate-navy/ &#13;
https://www.usmilitariaforum.com/forums/index.php?/topic/254966-my-us-navy-uniform-button-collection-1800-1865/</text>
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                <text>Albert, Alphaeus H. Record of American Uniform and Historical Buttons ... 1775-1976. Boyertown Pub. Co., 1977. </text>
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                <text> Military buttons and shanks underwent numerous transformations of design patterns since the late 1700’s. This popular design was manufactured for 15 years and included variants of the original style, including the eagle facing the opposite direction and the size of the anchor and rope. Each variant however, always featured 13 five-point stars around the eagle standing on top of the anchor. The button featured a loop shank and was a 2-piece build. &#13;
The other metal shank button design matches buttons found during the Civil War (1861-1865) in both the Union and the Confederate Navies.This indicates that this community was not isolated during the time of the Civil War and might further provide evidence to their involvement to (most likely) the Union cause.</text>
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9 round, ring pieces of corset grommets and eyelets. Rusted condition and some have deteriorated. </text>
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                <text>https://twitter.com/bostonNHP/status/1306602431002935296&#13;
https://vintagefashionguild.org/lingerie-guide/edwardian-corsets-early-19th-century/&#13;
https://www.famsf.org/blog/corsets-context-history#:~:text=1848%20%7C%20Joseph%20Cooper%20invents%20the,adopted%20from%20the%201850s%20onward.&#13;
http://tahliamckellartextiles.weebly.com/corset-timeline.html&#13;
https://adamselindisdress.blog/tag/split-busk/</text>
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                <text>   Corsets of the 19th century reflected a more natural form of the female body. Though the hourglass figure and small waist were still coveted, the waistline of the corset dropped to a natural position compared to earlier designs of the corset. The fashion of the era called for high waisted and long flowing dresses, requiring heavily boned corsetry and tight lacing to achieve the desired figure. To ease this intense process of lacing, French Corsetier, Jean-Julien Josselin, invented the split busk in 1829, a front facing slot and stud closure to remove a corset without unlacing. This became extremely popular after Joseph Cooper patented the design in 1848 in America. &#13;
Corsets were used by all women, regardless of class, to represent and showcase their beauty. These undergarments were even used on young children and teenage girls to begin shaping their bodies and preparing for womanhood.</text>
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-22 metal pieces composed of 2 connected pieces featuring a hole in the center on the end&#13;
-4 small rings pieces that fit through the above pieces&#13;
-5 metal thin pieces with an opening on the end (supposed garter hooks/clips)</text>
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                <text>Selective Surface collection, West Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Ava Valentino</text>
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                <text>http://content.time.com/time/nation/article/0,8599,2037331,00.html&#13;
http://diggingi95.com/features/high-priority-features-section-8/section-8-feature-5-personal-accessories/&#13;
https://vintagedancer.com/victorian/victorian-mens-fashion-history/&#13;
http://www.kristinholt.com/archives/5027</text>
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                <text>The suspender pieces featured in this collection include a mix of buckles and adjuster pieces, along with other unidentifiable but related metal pieces that could have belonged to other areas on the suspender strap or garter belt. &#13;
&#13;
An integral piece of men’s fashion during the 18th, 19th, and early 20th century was suspenders, or known as “braces” in Britain. Suspenders were composed of several diverse, metal pieces that fastened, tightened, and loosened the strap pieces according to each person’s desired fit and length. They were essential to keeping undergarments and outer garments in place, and served as a fashionable and decorative accessory. In fact, women and children wore them for the same purpose! Suspenders first appeared in 18th century France as strips of ribbon attached to the buttonhole of trousers, and were not meant to be seen or worn on the outside of garments. Beginning in the early 1820’s, British designer Albert Thurston provided a solution to the profoundly high-waisted pants men wore according to the fashion of the day. Suspenders that attached via leather loops were manufactured to replace the belt in these cases, since men’s pants were very high above the hip. Original designs show suspender straps made of tightly woven wool known as “boxcloth” and formed an “H” when attached at the back. They were made in two separate bands, with leather tabs and buttonholes, and one end adjustable with a buckle.  Later designs were made in knitted and crocheted cotton, embroidered in colored silks, lined with silk, and featured an X-back that later transformed into the Y-back. &#13;
&#13;
“Braces form a necessary adjunct to a gentleman’s wardrobe and they are generally pleased to have them prettily worked” (Britain, Woman’s Domestic Magazine, Patterns, Fashions and Needlework, 1865). &#13;
&#13;
The design and function of a single suspender clasp based off of image Cat # 8.47.12 are as follows: “A single suspender clasp stamped from copper alloy sheet metal, plated with a white metal, was recovered from this shaft feature (Cat # 8.47.12). The clasp features a detailed, stamped decoration consisting of beaded bands with a small floral and scroll motif. A wide, flat hook projects from one long edge and would have connected to a large metal ring to secure the ends of the suspender. This mechanism would allow the suspenders to be unhooked at the ring, while the straps and ends remained secured to the pants.” (http://diggingi95.com/features/high-priority-features-section-8/section-8-feature-5-personal-accessories/)&#13;
&#13;
The suspender end design created by E.W. Whittaker was patented on August 13, 1889. It features a design and shape almost exact to one of the suspender buckles in the collection (first picture, buckle in the bottom left hand corner). &#13;
&#13;
Garter belts and hose (stocking) supporters were used to hold up men, women, and children stockings to prevent them from falling down constantly. For men’s garters and hose supporters, they were usually made of silk and came in various colors. A clip from the garter was affixed to the sock edge and were made adjustable to fit comfortably below the knee. These pieces were not meant to be seen, hidden under trouser legs. For women, a more intricate design was manufactured and transformed over decades that featured a type of belt with hose supporters attached on each side. They were long straps with clips at the end that fell along the outside of the thigh that was then connected to the stocking. An earlier form of this combination belt, the girdle (corset combined with supporter straps), was replaced with garter belts, as they were easier to handle and less bulky, liberating the female figure. </text>
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                <text>Blue glass bottle fragment with “Pat. May 16TH 1899” embossed on bottle base and on the bottle side embossing ending in “...&amp; Bro.” The bottle is fragmentary and only part of the side and base are present but the shape is of a square sided bottle. &#13;
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>Late 19th to early 20th century</text>
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                <text>Maria Masucci</text>
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                <text>  Complete examples of this bottle type with this same embossing are from John Wyeth &amp; Bro. and the bottle rim would have had a dose glass resting on it and the bottle said “TAKE NEXT DOSE AT” and then a mark so the dose glass can be rotated to the hour marked at its base. &#13;
&#13;
This type of bottle was patented in 1899. Only the older bottles from this manufacturer are blue but it is not known when this bottle color was phased out. These bottles were handblown until 1910 which is also around the estimated time when the deep cobalt blue was discontinued. &#13;
&#13;
This bottle represents a medicine bottle but since the same bottle was used for various medicines it is impossible to say for sure which type of medicine, but the same shape of bottle with its label intact  contained sodium phosphate; “A mild and pleasant Laxative Employed in the Treatment of Constipation, Obesity, Children’s Diarrhea, Rickets, Jaundice, etc.&#13;
&#13;
According to Baybottles - an antique bottle website:&#13;
https://baybottles.com/2018/12/19/john-wyeth-bro-philadelphia/&#13;
“The business of John Wyeth &amp; Brother originated in 1861 when John and Frank Wyeth formed a partnership and opened an apothecary store in Philadelphia.  The company and its several successors have remained in business for over 150 years, ultimately becoming a wholly owned subsidiary of Pfizer in 2009.&#13;
&#13;
A graduate of the Philadelphia School of Pharmacy, prior to founding John Wyeth &amp; Brother, John Wyeth had partnered with Henry C. Blair under the name of Blair &amp; Wyeth, in a Philadelphia pharmacy business located at Eighth and Walnut Streets. His brother Frank Wyeth, also a Philadelphia School of Pharmacy graduate, worked for the business as chief clerk.&#13;
&#13;
On July 1, 1861 the Blair &amp; Wyeth partnership was dissolved and the brothers formed a new partnership under the name John Wyeth &amp; Brother. Notices for both the dissolution of the old business and establishment of the new business were printed in the July 2, 1861 edition of the Philadelphia Inquirer.”&#13;
&#13;
Their entrance into drug manufacturing appears to be driven by the increased need for drug related supplies as a result of the Civil War. Wyeth’s obituary, in the April 1907 edition of a pharmaceutical magazine called “The Spatula,” stated:&#13;
When the Civil War broke out he secured a big contract to furnish the Government with medicinal supplies, and from this began the manufacturing of pharmaceutical articles.&#13;
&#13;
Early in their history the business became famous for their sweetened tinctures which they called elixirs. A story featuring Wyeth in the March 28, 1881 edition of the Montreal Gazette described their elixirs like this:&#13;
The elixirs are drug compounds, made up in an elegant and palatable shape; drugs which are nauseating in the ordinary form are in this guise cordials which a patient can take with relish and which the weakest and most sensitive stomach will not reject.&#13;
&#13;
The company was sold to American Home Products in the early 1930s after the death of the son of John Wyeth. &#13;
&#13;
One of the headquarters of American Home Products and then Wyeth was located in Madison, New Jersey, next to Drew University for the latter part of the 20th century and early 21st century. &#13;
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                <text>DUPRS_0046 - Greenwood China Dish Fragment&#13;
&#13;
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                <text>A sherd of white ware pottery with a small portion of the foot visible on the underside. There is also a small imperfection on the underside of the artifact on the outside lip. In the middle of the underside GREENWOOD CHINA is stamped and underneath that is Trenton, N.J. And above all the writing is a small squiggle. All marks on the piece appear in a light green color. </text>
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                <text>Aisha Arain</text>
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                <text>White Ware Pottery&#13;
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                <text>Greenwood pottery Co. was established in 1862 by William Tams, an experienced potter from Staffordshire, England, who went into business with several Trenton investors. It was one of the largest producers of household and hotel china and remained in existence for more than 70 years. For a short period of time in the 1880s, it produced high quality art porcelain known as Ne Plus Ultra. This artifact, however, is not porcelain and therefore not the high quality ware referred to in the 18800s. This was most likely a plate based on the size and shape of the artifact which according to http://pages.tias.com/7401/PictPage/1920693965.html is 1-1/2” L; 5-7/8” when whole. &#13;
This piece appears to be fairly widely produced and distributed due to its being found in Wyoming while being manufactured in New Jersey. It seems as if the ceramic may have been cheap and the picture above was listed for sale online for sale at $3.75. It is unclear whether the company still exists or went out of business therefore all that is known is that the piece originated post 1862. This artifact found on the east side of the survey area seems to further indicate a possible home or hotel based on the fact that the same type of pottery was found at a historic hotel in Wyoming. It is interesting to note that a selective collection at a hotel historic site in Yellowstone National Park at the Yellowstone Lake Hotel found 22 pieces of chinaware identified as being Greenwood China and Co. from Trenton N.J. The army was at one point stationed in the park and supposedly added a mark to their pottery denoting that it was ‘quartermasters corp.’; although this was only until 1916. &#13;
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