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                <text>DUPRS_0010 Hoyt's German Cologne bottle</text>
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                <text>The bottle is complete and well preserved. It is 9.2 cm. long from lip to base. The bore is 1 cm., the finish 0.9 cm., the neck 2.9 cm. in diameter, the shoulder 0.9 cm., the body 2.67 cm. and the base 3.1 cm. On the body of the bottle there is an indented panel with the words “Hoyt’s German Cologne E.W. Hoyt &amp; Co. Lowell Mass”. On the bottom of the bottle is the number 3. An outside seam runs along both of the sides of the bottle all the way from the base to the finish. The color of the glass appears opaque but when illuminated by the light a purplish hue is evident. The purple (amethyst) could mean that the compound of the bottle is either nickel or manganese.</text>
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                <text>E.W. Hoyt and Co. Lowell Massachusetts </text>
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                <text>Selective Surface Collection, east Stanely Park, Historic Chatham Township(modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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                <text>The 1880s</text>
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                <text>Juliet LaVigne</text>
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                <text>Cultural and Historical Significance: Originally called Hoyt’s German Cologne, the cologne was developed in 1868 by apothecary Eli Waite Hoyt. The name "German" was originally applied to the cologne in 1870. This name was chosen just to give a definite title to the cologne; it was not actually from Germany. The cologne initially was only sold in $1.00 bottles, with sample vials filled with cologne freely distributed to create an increased demand. By 1877, the production of the German Cologne became so great that Hoyt sold the apothecary shop to two then employees, Crowell and Harrison.&#13;
	The original $1.00 bottle limited distribution since it was more cologne than most people needed (or wanted). Shedd designed a distinctive round bottle with the indented panel for use with the cologne and provided both the $1.00 and a new 25¢ trial-size bottle. This trial-sized bottle proved to be a huge success and business expanded quickly. The date when the trial-sized bottle was introduced is estimated to be in the early 1870's, since a medium-sized (50¢) bottle was introduced in 1876.&#13;
	The bottle could have been purchased and used from the 1880’s until around 1918 when the company’s name changed to “Eau de Cologne” because of World War I. It could have been shipped to New Jersey and used around the area of its discovery. &#13;
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                <text>DUPRS_0011 CH. Guyot Suspender Adjustors, Clasps and Catches&#13;
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                <text>Metal suspender adjusters, clasps and catches. "CH. Guyot" was stamped on the reverse side of some of the metal adjusters. </text>
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                <text>The adjusters, clasps and catches form the metal parts of men's suspender straps manufactured between 1907 and 1925 based on advertisements in the New York Times. </text>
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                <text>Selective Surface Collection, West Stanley Park, Historic Chatham Township, New Jersey</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey (DUPRS)&#13;
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                <text>Estimated Manufacture early 20th century based on advertisements in the New York Times</text>
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                <text>Maria Masucci</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey (DUPRS)&#13;
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                <text>C.H. Guyot suspender clasps</text>
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                <text>Selling at 60 cents a pair in 1907 (New York Times advertisement) the suspenders with these clasps were advertised as a European style for gentlemen and were priced quite high for the era as a luxury product. The brand had many French and German advertisements and only a few advertisements had photos in the records of the New York Public Library. The advertisements appear to be targeted to upperclass men shown fencing and in pursuits associated with the wealthier class. &#13;
&#13;
Ostheimer Bros in Philadelphia and New York figure in advertisements as distributors of the suspenders and an emphasis is on "Genuine Guyot Suspenders". There were issues about imitations and therefore one had to look for the CH Guyot and stars stamped on the metal pieces. &#13;
&#13;
Suspenders with CH Guyot adjuster clasps like those found in Chatham are in the Webb Cook Hayes Collection at the Rutherford B. Hayes Presidential Library and Museums Catalog #1934.236.12. They are listed as associated with WWI. &#13;
https://rbhayes.pastperfectonline.com/webobject/0D5368BA-68FE-4238-A6F8-476103406830&#13;
&#13;
The significance of these data and objects for the Chatham Township site is that it provides additional chronological placement as well as provides information on what was being produced and manufactured at the Stanley Mill which was located in the area of the site where these artifacts are found. Similar artifacts are visible across the surface of the western mill area and in the same area where remnants of felt are found along with buttons, bricks and metal machine pieces. &#13;
&#13;
The question is why are there such a large number of these suspender adjusters and associated suspender pieces found at the site. Was there men's clothing being manufactured at the mill? Since these are associated with upper class men it is unlikely they are the result of workmen's clothing. This also would not explain the high number of examples present at the site. </text>
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                <text>CH. Guyot had factories in Germany, France and possibly Philadelphia. A 1907 advertisement from Ostheimer Bros. 1001 Chestnut St. Philadelphia pictures "Genuine Guyot Suspenders" which suggests these were being sold in Philadelphia but may not have been manufactured there. </text>
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                <text>DUPRS_0012 Misc. Button Collection</text>
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                <text>This collection of different button types found in various states of tarnish is made up of:&#13;
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-1 medium-size possibly ceramic or celluloid white button with 4 holes&#13;
-1 large and a half a large possibly ceramic or celluloid buttons with 4 holes&#13;
-1 small brown either ceramic, celluloid, or modern plastic button with 4 holes&#13;
-1 petal “pie crust button” with 2  holes&#13;
-2 and a half-metal “inkwell” buttons with 4 holes&#13;
-1 metal rounded top button with incised design&#13;
-14 white porcelain buttons&#13;
-1 white porcelain, round convex button (no holes)&#13;
-1 metal button with a spiral pattern on the outer rim, holes on the inside&#13;
-1 metal convex, round button with a small border outlining the roundest part&#13;
-2 plain metal buttons&#13;
-1 ornate, metal button with geometrical shapes, 8 circular bumps on the outer rim, 16 small circles around the center&#13;
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                <text>The creators of the buttons are unknown. </text>
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                <text>Selective Surface collection, west Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology&#13;
&#13;
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                <text>late 19th- early 20th Century&#13;
&#13;
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                <text>Amy Zavecz</text>
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                <text>Metal &amp; Ceramic</text>
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                <text>Cultural and Historical Significance:&#13;
&#13;
Overall this button collection looks like it comes from the 19th century, based on the materials used, the various states of tarnish, and the mark of quality in manufacturing. Through research, it seems that the small buttons with only two holes were used in undergarments and were probably handmade based on the need of the owner/wearer. The larger buttons made from either ceramic or celluloid material (celluloid is a material only found in buttons made at the turn of the century or later) and were most likely used on everyday clothing, especially due to the simple ornate patterns. The rounded metal button was most likely fastened on the front of a coat jacket since they were used for a sturdier fasten and were not as susceptible to tear. The buckle button with writing is the hardest button to place out of the grouping. Though the writing is not completely legible, the style of font seems to indicate that this button was probably made by a button manufacturing company and displays the name of the company. Factory manufactured buttons found in more rural areas seem to indicate that their use was more for purposeful functions, rather than for fashion or status purposes and was probably seen on outerwear during the middle 19th century. &#13;
&#13;
These buttons offer a very interesting look into the personal interactions of the people who lived on this site probably in the middle to late 19th century.  The materials used help to define social status as well as material availability as well as the type of clothing these people would have worn on a daily basis. Often the fabrics used to make clothing don’t survive so buttons allow for better interpretation as to what types of material culture was important to this specific society. The buckle button provides evidence that this community had access to trade or commerce which allowed for manufactured goods to be purchased and used for personal use. </text>
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                <text>This artifact is a pottery sherd, which measures approximately 6.5cm at its longest length, and approximately 3.8 cm at its widest. It has variable thickness, between 0.3 and 0.45 cm. Due to its small size, the sherd cannot be matched to a particular form. &#13;
Lettering is visible on the exterior surface. The letters visible are “Stua-”, in decorative script, surrounded by a border. Beneath this is a bow and arrow, with “RIDGWAYS” written in the arrow. Below this is “ENGL-“.The design and lettering are brown to black. The bow and arrow is the maker’s mark of Ridgway pottery.</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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                <text>19th century</text>
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                <text>Juliet LaVigne</text>
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                <text> http://www.kovels.com/price-guide/pottery-porcelain-price-guide/ridgway.html&#13;
Jervis WP. A Pottery Primer. The O’Gorman Publishing Corps: New York 1911.&#13;
http://www.oldandsold.com/pottery/greatbritain2.shtml&#13;
http://www.figurines-sculpture.com/ridgway-potteries-ltd.html</text>
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                <text>Ceramics</text>
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                <text>Ridgway is a British manufacturer of ceramics. Sources differ on the year Ridgway was founded and began production. According to some sources, production began in the beginning of the 19th century, and continued under various Ridgway companies until it became a part of Royal Doulton in the 1960s.  W.P. Jervis’s 1911 A Pottery Primer says that Ridgway pottery began with Job Ridgway, who began a small company known as Job Ridgway and Sons in the late 1780s-1790s. He later sold his interests and his sons bought it back in 1806. It was originally manufactured in Staffordshire, England. According to another source, the company was known as John Ridgway and Co from 1814, then J and W Ridgway, W Ridgway, and W Ridgway and Son. In 1836 the name then changed again to W. Ridgway, Morley, Wear, and Co.&#13;
John Ridgway was named Potter to Queen Victoria and traveled to America in the 1820s, establishing an export trade (the pottery was only ever produced in England). The Royal Crown and the Royal Arms were frequently used in the potter’s mark after 1850.	&#13;
The sherd is likely post 1820, when Ridgway pottery began being exported to America. It is possibly pre-1850 because it doesn’t have any royal markings. Because of the apparent confusion about the exact beginning and evolution of the Ridgway pottery brand, it was difficult to determine a more specific manufacture date; there is little information available about the variations in the Ridgway potter’s mark, although there are variations. &#13;
Ridgway was known for good quality porcelain with blue designs. This, and the fact that it was an import from England, might indicate that items from this manufacturer were considered a luxury good, or at least more expensive than similar, domestic items.&#13;
Without knowing the specific type of ceramic object this came from, it’s hard to speculate as to what specific cultural significance it had.</text>
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                <text>Maddock Pottery Sherd</text>
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                <text>Descriptive Information: Flat white pottery shards with the stamp of Maddock’s Lamberton Works Royal Porcelain on them. The shards are smooth to the touch but some of the glaze is beginning to flake off. I cannot tell what object this pottery shard was once was.The shards are roughly 1cm in thickness and range from 2-3cm in length to 6-7cm in length.  &#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Thomas Maddock &amp; Sons, Moses Collear, C.A. May and Thomas P. Donoher.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="2731">
                <text>Drew University, Department of Anthropology</text>
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                <text>1893-1900 - for this specific print mark dates.&#13;
The company dates from 1893-1915</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="2733">
                <text>Aisha Arain</text>
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            <description>The nature or genre of the resource</description>
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                <text>Pottery - Porcelain </text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>The Lamberton Works first opened in 1869 by three local Quaker businessmen. The pottery was located along Third Street between Landing St. and Lalor St., in the Lamberton section of Trenton. In 1888, Thomas Maddock purchased the pottery, renamed it the Lamberton Works Co. In 1923, one-time Maddock office boy D. William Scammell purchased, along with his five brothers, the plant and the ongoing china business from the Maddocks, which the Scammells ran successfully until it closed in 1954. 											&#13;
&#13;
Lamberton China was the name given to the hotel china made by Maddock Pottery Co. which was known for their manufacturing of fine grades of semi-porcelain in table and toilet wares. The firm’s primary interest was the production of toilet wares but their hotel china was used by many prominent hotel &amp; restaurant customers included the Waldorf-Astoria, United Hotels Corp, William Penn Hotel, and train services such as the Pennsylvania, the New Jersey Central, the Union Pacific, the New York Central, and the Southern Pacific.											&#13;
&#13;
Considering the other objects found on the site are of household items such as food containers, buttons, and doll pieces I believe that the pieces of Maddock’s pottery are probably household toilet wares or high end China. Furthermore, the indication that Maddock Pottery Co. was used by upper class businesses one could assume that the pieces found on this site come from a possible upper middle class household. However, there is also a strong possibility that a majority of this pottery could also be the result of a hoarder’s large collection of porcelain wares. Nevertheless, without any household foundations found on the site one could make a wager that this site was a local household dumping ground.   </text>
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            <description>The topic of the resource</description>
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                <text>Selsers Blossom Nectar Honey Bottle</text>
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            <description>An account of the resource</description>
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                <text>The artefact is fragmentary as it is the bottom of a glass bottle. The square bottom is intact and shows embossed letters spelling: WM A SELSER. The biggest side piece is a corner with the side bearing two embossed letters: AR.  The average glass thickness is 0.5 cm. The glass is clear with two bubbles on the bottom – each bubble having a proximate diameter of 1 mm. </text>
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2718">
                <text>The artefact is likely the bottom of a WM A Selser Blossom Nectar bottle. </text>
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          </element>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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              <elementText elementTextId="2721">
                <text>Late 19th-early 20th century</text>
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                <text>Juliet LaVigne</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="2723">
                <text>American Bee Journal (Vol 39)&#13;
&#13;
First-fifth Annual Report of the State Bee Inspector for the Year [1912]-1916: Also Report of the Convention of the Iowa State Beekeepers' Association, Issues 1-5&#13;
</text>
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                <text>Glass</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Selser sold honey in one pound and half pound bottles. The bottle was probably manufactured between the late 1880s and 1910s. Since the artefact is only a small portion of the original bottle, it is difficult to give a more accurate date. &#13;
&#13;
William Selser bought land in Pennsylvania and started a bee farm based in Philadelphia. Selser came from a family long involved with various manufacturing industries. Earlier in his life Selser was involved with both leather tanning and fruit importing. Selser’s honey manufacturing was at one time known as the “most complete honey-bottling works” in the world. He sold honey primarily in the tristate area. &#13;
While there is some information about his business when he first started selling honey there is little to do with the business in later years. So one can only give a general idea of the bottle’s origins. It may have been purchased and thrown out or it could have been kept and passed down through the generations. </text>
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                <text>Plume &amp; Atwood Manufacturing Co. Kerosene Lamp top</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This artifact is about 1 ½in.  by ½in.  It is a wick raiser from a kerosene lamp produced by Plume and Atwood Manufacturing Co. in Connecticut in the late 19th-early 20th century. The artifact has the words “The P&amp;A MFG Co. Acorn.”&#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Plume &amp; Atwood Manufacturing Co. in Connecticut</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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                <text>Late 19th century-early 20th century</text>
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                <text>Juliet LaVigne</text>
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                <text>Kerosene lamps were very important before the invention of the light bulb. They provided the light in which you received when it was dark outside or inside your house.  The wick raiser, which is my artifact, is one of the most important parts of the kerosene lamp. Since the wick is on fire it eventually burns down and if you cannot raise the wick then the fire would go out and then you would have to continuously restart it. The wick raiser is also used to rise and dim the light that is being produced. </text>
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                <text>DUPRS_0018 Krueger Brewing Beer Bottle</text>
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                <text>Dark brown complete glass bottle which reads “G. Krueger BWG Co. Brewery Bottling of Newark, New Jersey”&#13;
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            <description>An account of the resource</description>
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                <text>Dark brown complete glass bottle. Symbol on the front of the bottle is of a glass containing beer. The bottle lettering reads “G. Krueger BWG Co. Brewery Bottling of Newark, New Jersey”. The bottle has a long neck, shoulder, and a body. The bottle measures 22cm (9 in.). &#13;
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                <text>Krueger Brewing Co. Beer Bottle, Newark, New Jersey&#13;
</text>
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            <name>Source</name>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>Late 19th - Early 20th century&#13;
</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Maria Masucci</text>
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                <text>G. Krueger Brewing Co. takes its name from Gottfried Wilhelm Ephraim Krüger, born in Sulzfeld, Germany, November 4, 1837. He was invited to America at the age of 16 by his uncle, his mother’s brother, John Laible, who had migrated to the New World to become a brewer and started the brewery with Louis Adam. &#13;
In 1853 at the age of 16 he came through the Port of New York to begin working at the Laible-Adam Brewery. At the age of 21 he was made foreman and a naturalized citizen in 1860. In 1865 he joined with a gentleman named Gottlieb Hill to buy Louis Adam’s interest in the brewery. The plant had an output of about 4,000 barrels annually. After Hill’s death in 1875 followed by the death of John Laible, Krueger bought out both interests and became the sole owner of G. Krueger Brewing Co. The brewery had by then reached an output of 20,000 barrels per year. &#13;
&#13;
In 1882 English investors allowed the brewery and its portfolio to grow further with a change to a more British bent. Krueger later started a new investment group based in the U.S. that bought out the English investors in 1908.&#13;
&#13;
The Krueger Brewing Co. is also known for being the first to produce and sell beer in cans. A risky venture which did become accepted and helped the brewery to prosper further.&#13;
Gottfried Krueger was a contributor to many charities and rose to become a powerful political figure in Newark.  &#13;
&#13;
http://kruegerbrewingcompany.com/gottfried-krueger-brewing-beer/&#13;
&#13;
Canned beer made its debut on January 24, 1935. Gottfried Krueger Brewing Company working in partnership with the American Can Company delivered 2,000 cans of Krueger’s Finest Beer and Krueger’s Cream Ale to faithful Krueger drinkers in Richmond, Virginia. The choice of Virginia was made in case the innovation was not a success. &#13;
&#13;
Canning and the use of cans to store and distribute food stuffs were instrumental in the mass distribution of food and changes in diet by the late 19th century. Canned beer was not attempted until 1909 when the  the American Can Company made its first attempt to can beer. This was unsuccessful, and the American Can Company would have to wait for the end of Prohibition in the United States before it tried again. Finally in 1933, after two years of research, American Can developed a can that was pressurized and had a special coating to prevent the fizzy beer from chemically reacting with the tin.&#13;
&#13;
Purchasing cans did not require a deposit, were easier to stack, more durable, less breakable and took less time to chill. The use of cans particularly exploded during WWII when brewers shipped millions of cans of beer to soldiers overseas.&#13;
&#13;
https://www.history.com/this-day-in-history/first-canned-beer-goes-on-sale&#13;
&#13;
In 1957 Krueger's was sold to a new group of owners headed by John Eisenbeiss although some of the Krueger family retained their interest in the company and William C. Krueger remained board chairman.  In 1958 the brewery celebrated its 100th Anniversary.   The celebration couldn't hide the fact that Krueger's was suffering a loss of market share to the national companies like Schlitz and Anheuser-Busch.  In 1961 the company was sold, the Newark plant was closed and the brand was produced by Narragansett in Cranston, Rhode Island.  The original brewing plant was leveled in 1988 to build, what else, a shopping center. &#13;
http://www.rustycans.com/COM/month0406.html&#13;
The Krueger Brewing Company is still in existence today but is not a family owned business with breweries in Florida and Colorado.&#13;
&#13;
http://kruegerbrewingcompany.com/&#13;
&#13;
Brewing and Newark History and Manufacturing&#13;
“Brewing success was not due to luck, but based on the fact that Newark was blessed with excellent transportation, had a skilled workforce at its disposal, contained a large beer drinking immigrant population and had secured an excellent source of plentiful and inexpensive water. Joseph G. Haynes, Newark's 20th mayor, demanded of the town's common council the promise to provide Newark citizens and industry with good water. Indeed, more than once Haynes stressed that Newarkers should not use 'filthy Passaic River water.' Largely through his efforts, the city succeeded by 1899 in using 6 million taxpayer dollars to purchase the 35,000 acres of the present Newark watershed in Sussex, Passaic and Morris counties. Along with this purchase, three reservoirs were built and an elaborate series of pipes laid to get this water to town. While fresh water provided better health for Newarkers, it also served as the backbone of one of our greatest industries. Haynes stated, 'If a single death of a human could have been traced to use of (watershed water), my opponents would have clamored—and justly—for my indictment for murder.' With the new source of water, disease-related death ended and a great industry—brewing—was further nourished.”&#13;
&#13;
https://knowingnewark.npl.org/in-a-glass-darkly-beer-marks-citys-history-brewers-benefited-from-workers-water/&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>Drew University</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Glass Bottle</text>
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        <name>History of Manufacturing</name>
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        <name>History of Newark</name>
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              <name>Title</name>
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                  <text>Passaic River Artifacts</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>DUPRS_0019 Iron Glue</text>
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            <description>The topic of the resource</description>
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                <text>Iron Glue Glass Bottle</text>
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            <description>An account of the resource</description>
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                <text>Glass bottle, approximately 6cm wide at the base and 10cm tall. Reads “IRON GLUE McC. &amp; CO.” on the bottom.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>The mark of McC &amp; CO can be attributed to a glass manufacturing company in Pittsburgh, PA, William McCully and Company (1841-c.1909) or McCormick’s Iron Glue of Baltimore, MD. Based on the writing, it is more likely a McCormick’s bottle.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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                <text>Late 19th century</text>
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                <text>Juliet LaVigne</text>
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              <elementText elementTextId="2769">
                <text>http://www.myinsulators.com/glass-factories/bottlemarks3.html&#13;
http://www.flickr.com/photos/flickr-nostalgia-gallery/5737625040/&#13;
http://www.antique-bottles.net/forum/m-36719/mpage-1/key-/tm.htm#36736&#13;
http://www.mccormickcorporation.com/Corporate/layouts/companyHistory1890_1929.aspx&#13;
http://www.antique-bottles.net/forum/m-36719/mpage-1/key-/tm.htm#36736</text>
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                <text>Glass</text>
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                <text>Iron glue was one of McCormick’s first products beginning in 1889 when the company was founded by chemist Willoughby M. McCormick. The company later purchased a spice company and became known for spices. It is not known when the company stopped producing iron glue, possibly 1920.  Iron glue was used as an all-purpose glue. </text>
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                <text>DUPRS_0020 H. J. Heinz Co. Bottle</text>
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                <text>Clear glass octagonal bottle basal fragment. Around the broken base the bottle reads H. J. Heinz Co.  and Pat. 9 or B (it is unclear which). In the center of the base is 73 in a circle.&#13;
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                <text>H. J. Heinz Co. </text>
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                <text>Selective Surface collection, East Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>Between 1896 to the early 1900s&#13;
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                <text>Maria Masucci</text>
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                <text>Glass</text>
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                <text>The shape of the bottle, H. J. Heinz &amp; Co.  and the number 73 embossed on the base can be used to identify the product. #73  would be a bottle hand blown in the Heinz Glass factory in Sharpsburg, PA. of flint glass between 1896-1908. #73 held several different pickled products, such as pickles, cauliflower, onions and peppers. &#13;
Mr. H. J. Heinz founded the company in 1869. In 1875 he sold his company to his brother John and cousin Frederick. They called their company F&amp;J Heinz, using the initials from their first names. They eventually sold the companies back to HJ in 1888 and the name became H.J. Heinz. &#13;
https://sha.org/bottle/pdffiles/Heinzbottlecodes.pdf&#13;
The company was started by Henry J. Heinz and from a young age he began bottling vegetables. The company had various versions involving family members and associates and even bought a glass blowing factory in order to produce their own bottles. The firm reached success as H. J. Heinz around 1888 and by 1898, the firm was growing “all of its own crops, with farms in several states and different plants for different products. The company had branch offices in various states and as far away as London, England.” &#13;
“Heinz strongly supported the Pure Food and Drug Act of 1906 and used it to his advantage (Alberts 1973:171-180). On catsup bottles, for example, he added “free from benzoate of soda”; “guaranteed pure”; and noted that his product “complied with all laws throughout the world” (Foster &amp; Kennedy 2006:39).”&#13;
https://sha.org/bottle/pdffiles/Heinz.pdf&#13;
Lockhart, Bill, Beau Schriever, Bill Lindsey, and Carol Serr&#13;
The H.J. Heinz Co. and the H.J. Heinz Glass Co. &#13;
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