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                <text>John Wanamker 4 Holed Metal Button&#13;
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                <text>Metal four holed button with embossed lettering reading John Wanamaker &#13;
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                <text> John Wanamaker </text>
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                <text>Selective Surface collection, west Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>Late 19th Century</text>
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                <text>Amy Zavecz</text>
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                <text>DUPRS_0028 Rue de la Cloche Cologne</text>
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                <text>Rue de la Cloche No 4711 a Cologne bottle</text>
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                <text>The artifact is a clear, non-coloured blown glass bottle with the bottom missing. The bottle is hexagonal with one side shaped in a convex curve, opposite the writing. It has a lipped and pinched top and has writing embossed on one of the flat sides, stating "Rue de la Cloche No 4711 Cologne"</text>
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                <text>4711 brand cologne</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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                <text>Late 1800s</text>
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                <text>Juliet LaVigne</text>
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                <text>This specific brand of cologne is known as a very famous and prestigious cologne in the late 1800s through to today. The writing on the bottle refers to the original house where the cologne was first invented, No. 4711 Glockengasse = meaning Clock Tower Square hence "Rue de la Cloche". &#13;
&#13;
https://blog.smallflower.com/4711-first-eau-de-cologne/&#13;
4711 is "the oldest Eau de Cologne born in October of 1792, when Wilhelm Muelhens received a secret recipe as a wedding gift. This recipe was for an “acqua mirabilis,” or a miracle water intended for internal as well as external use. Soon after, Wilhelm opened a manufactory in the Glockengasse (meaning “Clock Tower Square”) area of Cologne, Germany. He marketed his miracle water as a health drink served undiluted or mixed with wine."&#13;
&#13;
"The name came about in part thanks to the French military occupation that began in 1794. Frustrated by the disorganized layout of the city, a French general had all the houses sequentially numbered. Muelhen’s house was given the number 4711, which has stuck with the brand ever since."&#13;
&#13;
"In 1810, Napoleon decreed that all recipes for medications intended for internal use publicly list their ingredients. Muelhens didn’t want to disclose his secret recipe, so he began to market his miracle water as solely a fragrance."&#13;
&#13;
"Peter Heinrich Molanus designed the hexagonal, upright bottle (still in use today) back in 1820. Its flat surfaces make it easier to packages for transportation, and left plenty of room for label design. At the time, it was sealed with a crown cork and included a bottle opener in the package."&#13;
&#13;
"In 1875, Ferdinand Muelhens (Wilhelm’s grandson) registered 4711 as a brand and created the first iteration of the modern logo. In 1900 the Muelhens family finalized the design, and it hasn’t changed since."&#13;
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                <text>DUPRS_0047 - Alderney Dairy Co. Bottle Base</text>
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                <text>A broken glass shard of irregular shape. </text>
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                <text>The artifact is in one piece, a broken glass shard of irregular shape. It was plainly once circular, and formed the end of a cylindrical shape. Most likely this is the bottom of a bottle. It is marked with an ‘F’ in the center and along the edges ‘T.F’M’G Co., ‘PAT’, and ‘9’0 are clearly seen. The rest of the information they formerly conveyed, as well as their context, has been lost with other bottle pieces.&#13;
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                <text>Alderney Dairy Company, </text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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                <text>Circa 1880. </text>
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                <text>Aisha Arain</text>
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                <text>Glass</text>
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                <text>‘T.F’M’G Co.’ is a marking typical of the bottoms of milk bottles produced by the Alderney Dairy Company, once located at 26 Bridge Street, Newark. Both Alderney and T.F’M’G have long ago passed into obscurity; the exact date was undeterminable, however it is likely that the Alderney company based in the greater Newark area closed down some time prior to 1938. Very little information seems to remain of the old Alderney company outside of old photographs of their milk bottling facilities. The business may have shut down due to the Great Depression or just the flow of business. The bottle shards would seem typical of a bottle in the style of the complete bottle produced by Alderney Dairy, Newark in 1889. &#13;
The bottle shards were found in an area that has long been used as a garbage dump (the designation of the site area as a park hasn’t stopped this practice completely; plenty of modern trash may be found next to items which may be over a hundred years old), so I believe the item’s significance is one of an everyday object, something quite common in the time of its manufacture and use. The bottle must have been considered disposable enough to discard at some point; either intentionally as a whole bottle once used, or as a consequence of breaking the bottle in some other way. If it were more precious, repair could have been attempted.&#13;
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                <text>DUPRS_0029 Allertons England</text>
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                <text>Allertons Ltd. England pottery sherd</text>
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                <text>This artifact is a small triangular fragment of ceramic approximately 3 cm across, 2 cm in height, and 0.25 cm in width. On the exterior, it is mostly white with a few chips in it, and a light blue maker’s mark is present which says “ALLERTONS LTD ENGLAND” in a circle around a bulls-eye symbol. On the reverse side is a design showing the top of a building next to a tree in a pattern known as blue willow. Although the fragment is very small, the details are clear and match most of Allertons Ltd. designs on the Internet.</text>
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                <text>Allertons Ltd. England</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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                <text>The maker’s mark on this fragment was only made between 1915 and 1929.</text>
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                <text>Juliet LaVigne</text>
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                <text>Ceramic</text>
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                <text>The company manufacturing of this type of china appears to have had only one factory in Staffordshire, England. Therefore it would appear that the ceramic was imported. This fragment was found along with many others that covered a large area next to the Passaic River. The pattern on the fragment is similar to other Allertons Ltd. pottery. The blue willow design is common on their pieces and their designs seem to have an Asian influence and other pieces from this company from this time have also had “China” written below the maker’s mark.</text>
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                <text>The object is a light green glass bottle foot with a small portion of the wall in tact. The base has a makers mark as well as the words "Ballantine Newark, NJ." There are the remains of a seam on the bottom  of the bottom that would have continued along the sides. The seam stops at the foot of the bottle. </text>
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                <text>Selective Surface collection, center Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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                <text>Drew University, Department of Anthropology</text>
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                <text>late 19th-early 20th century</text>
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                <text>Juliet LaVigne</text>
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                <text>Cultural and Historical Significance: Ballantine Beer bottles were manufactured in Newark, NJ. The maker's mark is three overlapping rings that represent purity, body, and flavor. Peter Ballantine, the founder, invented the symbol after seeing the marks left on a wooden table from a beer can. The symbol was first used in 1879. Ballantine started Ballantine Beer in 1833 after working at a brewery for thirteen years. In 1840 he moved to Newark, NJ with his family in order to be closer to New York. In 1850 Peter Ballantine purchased land near the Passaic River to brew his beer. After many successful years and surviving prohibition y diversifying into insurance and other types of sales, the company acquired the Christian Feiganspan Brewery in Newark, NJ which ran from 1943 until 1948. By the time the second factory opened, the company focused on canning their beer instead of bottling it. This shows that this bottle was most likely from the first factory which was established in 1850 and brewed beer until the early twentieth century when they diversified during prohibition, establishing the date of the bottle between 1850 and 1920. Ballantine Beers was one of the largest producers of beer in the U.S. Their beer was mass-produced and was competitive with other companies like Anheuser Busch. </text>
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                <text>DUPRS_0010 Hoyt's German Cologne bottle</text>
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                <text>The bottle is complete and well preserved. It is 9.2 cm. long from lip to base. The bore is 1 cm., the finish 0.9 cm., the neck 2.9 cm. in diameter, the shoulder 0.9 cm., the body 2.67 cm. and the base 3.1 cm. On the body of the bottle there is an indented panel with the words “Hoyt’s German Cologne E.W. Hoyt &amp; Co. Lowell Mass”. On the bottom of the bottle is the number 3. An outside seam runs along both of the sides of the bottle all the way from the base to the finish. The color of the glass appears opaque but when illuminated by the light a purplish hue is evident. The purple (amethyst) could mean that the compound of the bottle is either nickel or manganese.</text>
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                <text>E.W. Hoyt and Co. Lowell Massachusetts </text>
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                <text>Selective Surface Collection, east Stanely Park, Historic Chatham Township(modern Summit, New Jersey)</text>
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            <name>Publisher</name>
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                <text>Drew University, Department of Anthropology</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>The 1880s</text>
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                <text>Juliet LaVigne</text>
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                <text>Glass</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Cultural and Historical Significance: Originally called Hoyt’s German Cologne, the cologne was developed in 1868 by apothecary Eli Waite Hoyt. The name "German" was originally applied to the cologne in 1870. This name was chosen just to give a definite title to the cologne; it was not actually from Germany. The cologne initially was only sold in $1.00 bottles, with sample vials filled with cologne freely distributed to create an increased demand. By 1877, the production of the German Cologne became so great that Hoyt sold the apothecary shop to two then employees, Crowell and Harrison.&#13;
	The original $1.00 bottle limited distribution since it was more cologne than most people needed (or wanted). Shedd designed a distinctive round bottle with the indented panel for use with the cologne and provided both the $1.00 and a new 25¢ trial-size bottle. This trial-sized bottle proved to be a huge success and business expanded quickly. The date when the trial-sized bottle was introduced is estimated to be in the early 1870's, since a medium-sized (50¢) bottle was introduced in 1876.&#13;
	The bottle could have been purchased and used from the 1880’s until around 1918 when the company’s name changed to “Eau de Cologne” because of World War I. It could have been shipped to New Jersey and used around the area of its discovery. &#13;
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                <text>340f11c8-3540-4c11-968f-a65d9b4ee02d</text>
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                  <text>Passaic River Artifacts</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>DUPRS_0035 Fisk Clark &amp; Flagg Button</text>
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            <name>Subject</name>
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                <text>Fisk Clark &amp; Flagg (est. 1867) </text>
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                <text>Small, metal shank button about 1.5cm wide&#13;
Bar in the center reveal 2 open slots in the middle of the button&#13;
Letters legible “AGG” ‘FISK” “LARK”</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Fisk Clark &amp; Flagg, probably manufactured in New York</text>
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          </element>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, West, Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1867- c. 1891-1902</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3103">
                <text>Ava Valentino</text>
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                <text>Court of Appeals State of New York. Thomas m. Argall vs. Abraham Jacobs and W. Wisebart. T.J.P. Averell Law Publisher, 29 May 1880, p. 73. &#13;
“Henry Greene Fisk.” The American Hatter, vol. 31, 1902, p. 84. &#13;
New York Court of Appeals. Richard W. Bogart vs. J. Kleckner, J. H. Wittigschlager, Daniel E. Rutherford, Frederick D. Clark and William J. Carr. C.G. Burgoyne's "Quick" Print, 22 Aug. 1881, p. 29. &#13;
The New York Supplement. Fisk vs. Fisk, Clark &amp;amp; Flagg. Volume 76 (New York State Reporter, Volume 110), pp. 482–485. &#13;
“‘Want’ Ads.” New York Journal, 24 Apr. 1899, p. 13. </text>
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                <text>Fisk, Clark &amp; Flagg was founded in 1867 by Henry G. Fisk, Thomas R. Clark and Thomas J. Flagg, “for the purpose of manufacturing and selling gloves, neckwear and other articles of men's attire.” (Fisk v. Fisk, Clark Flagg, 37 Misc. 737, (N.Y. Misc. 1902)). The firm established a well-known name for themselves in their trade and manufacturing, producing high quality goods and becoming a leading figure in lines of gloves, furnishing goods, and shirt waists. They first began business in White Street, New York City, and then moved to several other locations in NYC throughout the decades including 690 Broadway, 686 Broadway, 5 Washington Place, and very briefly, 85 Fifth Avenue. &#13;
Being that Fisk, Clark &amp; Flagg produced a series of premium clothing and home goods, the men and women of early Chatham belonged most likely to a higher social class. The close vicinity to NYC allowed clothing stores to be conveniently stocked with these goods, demonstrating a close connection between the distribution of goods across states and cities in America.</text>
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                <text>Ingrams Milk Weed Cream Bottle</text>
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                <text>Complete milk glass bottle with embossed writing below lip reading Ingrams Milk Weed Cream. The bottle is complete and measures 5.7 cm in height and 4.5 cm wide at the base. Its opening at the top measures 3.1 cm in diameter. It has a threaded top, but no top was found. On the bottom surface it is embossed with “Bottle Pat D” followed by “No 481951”. These characters are marked in a circle around the bottom surface. &#13;
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                <text>Fredrick F. Ingram &amp; Co.</text>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey&#13;
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                <text>Amy Zavecz</text>
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                <text>Glass</text>
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                <text>The artifact is a bottle for a cosmetic product called “Ingram’s Milkweed Cream”  which based on the patent number, the jar was patented around the 1880s. The style of bottle ranges to as recently as the 1920s. The same bottle type is pictured in ads including one found from 1915. This product was produced by Fredrick F. Ingram &amp; Co. and a fairly common cosmetic product geared towards women. &#13;
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                  <text>Passaic River Artifacts</text>
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                <text>DUPRS_0046 - Greenwood China Dish Fragment&#13;
&#13;
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                <text>A sherd of white ware pottery with GREENWOOD CHINA stamped as an identifier. </text>
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                <text>A sherd of white ware pottery with a small portion of the foot visible on the underside. There is also a small imperfection on the underside of the artifact on the outside lip. In the middle of the underside GREENWOOD CHINA is stamped and underneath that is Trenton, N.J. And above all the writing is a small squiggle. All marks on the piece appear in a light green color. </text>
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            <name>Creator</name>
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                <text>Greenwood pottery Co</text>
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            <name>Source</name>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3046">
                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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                <text>Circa 1862. </text>
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            <name>Contributor</name>
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                <text>Aisha Arain</text>
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            <name>Type</name>
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                <text>White Ware Pottery&#13;
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                <text>Greenwood pottery Co. was established in 1862 by William Tams, an experienced potter from Staffordshire, England, who went into business with several Trenton investors. It was one of the largest producers of household and hotel china and remained in existence for more than 70 years. For a short period of time in the 1880s, it produced high quality art porcelain known as Ne Plus Ultra. This artifact, however, is not porcelain and therefore not the high quality ware referred to in the 18800s. This was most likely a plate based on the size and shape of the artifact which according to http://pages.tias.com/7401/PictPage/1920693965.html is 1-1/2” L; 5-7/8” when whole. &#13;
This piece appears to be fairly widely produced and distributed due to its being found in Wyoming while being manufactured in New Jersey. It seems as if the ceramic may have been cheap and the picture above was listed for sale online for sale at $3.75. It is unclear whether the company still exists or went out of business therefore all that is known is that the piece originated post 1862. This artifact found on the east side of the survey area seems to further indicate a possible home or hotel based on the fact that the same type of pottery was found at a historic hotel in Wyoming. It is interesting to note that a selective collection at a hotel historic site in Yellowstone National Park at the Yellowstone Lake Hotel found 22 pieces of chinaware identified as being Greenwood China and Co. from Trenton N.J. The army was at one point stationed in the park and supposedly added a mark to their pottery denoting that it was ‘quartermasters corp.’; although this was only until 1916. &#13;
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                  <text>Passaic River Artifacts</text>
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            <name>Title</name>
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                <text>DUPRS_0040 Gulden's Mustard Bottle</text>
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                <text>Gulden's Mustard Bottle</text>
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                <text>The artifact is a partially intact clear glass bottle. Although it is a fragmented artifact, most of the bottle is intact. The fragment suggests that the original artifact was not perfectly cylindrical but rather smallest in diameter at the top and bottom and thickest in the middle. The glass is unscathed and clear with very few blemishes. There is partial lettering, and all of the letters on the bottle are clearly readable. These letters are not painted on; they are formed into the glass. The fragment has approximately 6cm in diameter. The fragment measures 7cm in height, however, it does not seem that the fully intact bottle would be more than a few centimeters taller than the fragment. Both the bottom and sides of the bottle were approximately .4cm thick.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gulden's Mustard</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Selective Surface collection, east Stanley Park, Historic Chatham Township (modern Summit, New Jersey)&#13;
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            <name>Publisher</name>
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                <text>Drew University, Department of Anthropology, Drew University Passaic River Survey</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>The lettering on this artifact clearly states the words "Gulden:Chase" with "New York" written underneath. The shape and size of the artifact are very similar to that of mustard bottles that were manufactured between the 1890s and the 1920s. There are several documented photographs of bottles also manufactured by Gulden during these times that have the same barrel design as the artifact found also the Passaic River. These bottles are quite bulbous and are meant specifically for mustard. Their bulbous structure allows for easy extraction of the sauce-like condiment. This artifact appears to be a mustard bottle manufactured between 1850 and 1930. The first prototype for this bottle was patented in 1845 and slight variations of the barrel shape were made until the company converted to plastic bottles in the late 20th century.</text>
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            <name>Contributor</name>
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                <text>Juliet LaVigne</text>
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                <text>Lambert, Tim. A History of Condiments. http:www.localhistories.org/condiments.html&#13;
Society for Historical Archaeology, identifying bottles: http://www.sha.org/bottle/food.htm#Barrel%20mustard&#13;
https://sha.org/bottle/Typing/food/guldenad.jpg </text>
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                <text>Glass</text>
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                <text>Before the invention of modern food preservatives and fixtures such as refrigerators, spices, sauces, and condiments were almost necessary for eating food. Salt, the first condiment widely used, was used to mask the taste of meat that was less than fresh. It is difficult to interpret the cultural meaning of a condiment like mustard during the early 20th century. However, given this good housekeeping advertisement from 1922, it seems that Gulden's Mustard was advertised as a condiment to be used in upper-class homes. The advertisement shows a hefty steak on top of expensive china with bright silverware and Gulden's Mustard on the side to make the perfect meal. This shows that mustard was a higher class condiment and if you could afford it, it showed status. The advertisement is trying to make people think that they are fancy and higher-class if they buy Gulden's mustard. They want to show that the food will taste better, like high-class food.</text>
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